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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Herbie Hancock further expands his cosmic vision in this groundbreaking album of free-flowing fusiony tracks – a record that really steps up his range of keyboards, mixing in both acoustic and electric pianos, mellotron, and even a bit of spacey moog from the legendary Patrick Gleeson! The ... LP, Vinyl record album
Big ol' bass from Marcus Miller – but also some sweet keyboards and great vocals too – all wrapped up in a set that's really got Miller at the height of his powers! Marcus wonderfully skirts the worlds of soul and fusion for the record – and mostly creates a tight groove on his ... LP, Vinyl record album
A nice collaboration between Miles and Marcus Miller from the latter part of Miles career. As much of the recording here is overdubbed, with many multiple instruments played by Miller, it doesn't have the improvised vibe of Miles' classic performances, but the songwriting and arrangements are head ... LP, Vinyl record album
Sweetly jazzy soul from George Benson – a key classic from his great run at Warner Brothers Records, and the kind of record that George did better than anyone else at the time! Back in the 60s, we'd never have guessed that Benson's sweetly crackling vocals would dominate popular jazz more ... LP, Vinyl record album
Mitsuaki Kanno/Toshio Mori & His Blue Coats/Tatsuy
There's a wizard on the cover, but the set's way more fusion than fantasy – tightly jamming work from Matrix, a combo who shone brightly at the end of the 70s! There's more horns here than you'd find in the usual fusion group – as the group's a nonet, with Larry Darling and Jeff ... LP, Vinyl record album
Ambitious work from Jaco – a set of larger group recordings that have a really expansive feel! There's a jagged electric undercurrent to the set, but the album's also got some redemptive work from the larger group – bright, optimistic, and filled with a globe-spanning array of ... LP, Vinyl record album
A great later sleeper from Brian Auger – a record that's much deeper and more soulful than some of his earlier work – and done in a soaring style that's really great! Alex Lighterwood sings as much as Auger plays the keys here, but that's ok with us – because he fuses his voice ... LP, Vinyl record album
The only Blue Note album ever recorded by JR Monterose – one of the more enigmatic figures of the 50s scene! Montrose was a brilliant player, with a tone and a solo conception that were very unique – but he lapsed in relative obscurity, due to the fact that he had a penchant for ... LP, Vinyl record album
A really wonderful little record from Pat Metheny – quite possibly our favorite by the man, thanks to some really inventive sounds that still resonate strongly in the groove scene today! Pat's skirting nicely here between the sound-based quality of earlier records, and some of the more fluid ... LP, Vinyl record album