Fania All-Stars : Live At Yankee Stadium Vol 1 (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Live At Yankee Stadium Vol 1

LP (Item 23031) Fania, 1975 
By the mid 70s, the New York Latin scene was boomin' so large it could easily fill venues like Yankee Stadium -- as you'll hear on this excellent live set from the Fania All-Stars, a monster record that easily ranks with the best live Latin sides of the time -- like Eddie Palmieri at Sing Sing, the Tico-Alegre All Stars at Carnegie Hall, or Mongo Santamaria at Yankee Stadium! Tracks are nice and long -- a real mix of soul and Latin, with slight funk and electric touches -- and players include Ray Barretto, Willie Colon, Bobby Valentin, Mongo Santamaria, Ricardo Ray, and Roberto Roena. Vocals are by a host of singers that include Santos Colon, Hector Lavoe, Ismael Rivera, and Celia Cruz -- and titles on this first volume include "Pueblo Latino", "Mi Gente", and "Soy Guajiro".  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


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Fania, 1964. Near Mint-
The first album on Fania Records – and a massive album that showcases Pacheco's new style – a shift from his earlier charanga grooves to a more solidly percussive style, with lots of timbales and trumpet! The album's a key turning point in 60s New York Latin – and still crackles ... LP, Vinyl record album

Symphony Sid & Others

Symphony Sid's Last Radio Broadcast
Fania, 1973. Very Good+ 2LP Gatefold
Beautiful, baby! Symphony Sid was one of the pivotal Latin DJs in New York radio, and throughout his career, he helped many of the city's best players and singers get their start on the scene. In 1972, Sid did his last radio show ever – and the event was broadcast from the famous Cheetah ... LP, Vinyl record album

Louie Bellson & Walfredo De Los Reyes

Ecue – Ritmos Cubanos (OJC pressing)
Pablo/OJC, 1978. Sealed
A strangely wonderful Latin set with a very drum-heavy approach! Cuban percussionist Walfredo plays in a large group with Louie Belson on the regular kit and "moog drum" – and the rest of the group features strong Latin players like Francisco Aguabella, Clare Fischer, Emil Richards ... LP, Vinyl record album

Tito Rodriguez

Live At The Palladium
United Artists, 1960. Very Good-
Wonderfully jazzy work from Tito Rodriguez – and further proof that his live albums are often some of the best he ever recorded! The set's got an earthy feel that's quite different than some of Tito's studio albums – still that tight groove he brought to Latin music at the end of the ... LP, Vinyl record album

Tito Puente

Bossa Nova By Puente
Roulette, Mid 60s. Near Mint-
A surprisingly groovy record! Although bossa nova isn't normally Tito's bag, he does a great job here moving into the format – picking up the pace of his usual group with some snapping beats that create a bit of a bossa flourish, even though the overall sound's still firmly in the New York ... LP, Vinyl record album
RCA, 1958. Very Good
One of the most hard-hitting Latin albums from the 50s on RCA – a set released with jokey liner notes from Frank Jacobs of Mad, next to some Jack Davis cartoons – but a set that's got smoking percussion, great horns, and even some very cool use of vibes! LP, Vinyl record album

Billo's Caracas Boys

Lo Mejor De Billo's Caracas Boys
Tropical, 1960s. Very Good+
Lots of classics from this legendary group – including "Bombele", "Ya Te Olivide", "Cuando Florezcan Las Amapolas", "Mosaico No 1", "El Trago", "Coco Pleao", "Casi Te Muerdo", and "El Hombre Marinero". LP, Vinyl record album

Roberto Del Castillo

Otra Vez
CBS, 1988. Sealed
With Johnny Ventura and orchestra. LP, Vinyl record album
RCA, 1955. Very Good+
A great collaboration between Perez Prado and trumpeter Shorty Rogers – one in which Rogers' solos sparkle brilliantly over the top of Perez's tight Latin rhythms – all in a style that's as moody as it is evocative and rhythmic! Side one features the extended "Voodoo Suite" ... LP, Vinyl record album
RCA, 1958. Very Good+
A great little record – and a prime example of the strong Jewish/Latin crossover that was going on in the late 50s and early 60s. The record features the kind of crack cha cha sound that was bringing couples into the Palladium from Long Island, but it's also touched with occasional yiddish ... LP, Vinyl record album
Eco, 1960s. Very Good+
(US pressing.) LP, Vinyl record album

Al Jarreau

We Got By
Warner, 1975. Near Mint-
Al's first major label record – cut when he was an emerging soul jazz vocalist, but before he'd gone totally over the top in super-slick hit mode. The album's got a good 70s LA jazzy backing, with guests like Dave Grusin, Arthur Adams, and Larry Bunker keeping the music moving at a nice pace. ... LP, Vinyl record album
 



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