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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Marvin's definitely in the groove on this set – cooking on all burners with a host of late 60s Motown hits – bad-stepping his way towards some of the more mature moments to come in the 70s! The album's probably best remembered for the cut "I Heard It Through The Grapevine" ... LP, Vinyl record album
An amazing record that stunned the world almost as much as Marvin's previous effort, What's Going On. Like that one, this album's an amazingly unified batch of tracks – with a visionary message about sex and love that is as honest and bracing as the politics and social commentary of his ... LP, Vinyl record album
Bass-heavy funk from Ohio resident Mico Wave – recorded during a decade when it seemed that the state was overflowing with bass-heavy funk groups! Bootsy Collins produced the record – natch – and the sound here is kind of an extension of the Zapp groove, with some smoother late ... LP, Vinyl record album
A big breakthrough for Philip Bailey – and a record that was kind of a second-level explosion for the Earth Wind & Fire sound in the 80s! There's a definite crossover feel to the record – a style that takes Bailey's soulful vocals, and mixes them with lots of catchy hooks – ... LP, Vinyl record album
Our favorite album ever from Tyrone Davis – even if it's completely different than most of his other work too! The set's got a wonderfully smooth feel right from the start – a mellow-grooving, slow-stepping approach that works perfectly for Tyrone's wonderful vocals – pushing ... LP, Vinyl record album
The Manhattans get back to basics, but they're also working with a sound that's a bit smoother and more contemporary than before – a mix of slightly grooving rhythms and mellower quiet storm moments, the latter of which is especially well-suited to their vocals! There's a bit less ... LP, Vinyl record album
An even leaner groove than usual for Billy Griffin – a set that makes great use of 80s keyboards and basslines, which turn out to be a great fit for Griffin's wonderful voice! Billy's got this sharp, uncluttered style of singing – a mode first forged as the lead for The Miracles, then ... LP, Vinyl record album
Philip Bailey hits a great groove here – working with Nile Rodgers, who gives him a lean, clean sound that works perfectly with his vocals! The sound is a nice change from the direction Bailey was heading in previously – a return to the focused soul of the later Earth Wind & Fire ... LP, Vinyl record album
One of Pat's earliest recordings – done for Columbia with a mixture of uptown soul and jazz arrangements, the former handled by Bert DeCoteaux, the latter done by Ray Bryant! John Hammond put the set together, obviously searching for another female soul talent after failing with Aretha ... LP, Vinyl record album