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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great posthumous release from the mighty Marvin Gaye – a set that's half comprised of material that Marvin was working on before his early death, and half pulled from rare personal recordings he'd entrusted to his mother! The cover carries a message that some of the material might be " ... LP, Vinyl record album
Great cuts from the second decade of Marvin Gaye's career at Motown – really magic numbers pulled from that 70s period when he was really taking off with his music! There's a righteous undercurrent here that goes way beyond the simple soul of the 60s – and the set offers a great cross-s ... LP, Vinyl record album
This is the second of two live albums that Marvin Gaye cut during the 70s – and in many ways, it's the better one! The record features three sides of work recorded live at the London Palladium – mostly in these swirling medleys that are introduced by Marvin in a very soulful mode, then ... LP, Vinyl record album
One of the few cases in the history of pop music where the record is worth all the hype! Marvin blew everyone's mind when he unleashed this amazing suite of political soul tunes – not only just because he'd moved past the simple love songs of earlier years, but also because he was working ... LP, Vinyl record album
Killer 3LP set that brings together just about every single track you'd ever want from Marvin's early years at Motown! The gamut runs from early pop singles to the politically progressive work of his What's Going On years. Titles include "You're The Man", "Trouble Man", "I ... LP, Vinyl record album
Marvin Gaye's last album for Motown – and a wonderful cap to a great run of sexy soul for the 70s – filled with great mellow grooves that rival the genius of his earlier work in the decade! There's a glowing, slow-burning feel to some of the best numbers here – a vibe that's ... LP, Vinyl record album
The title's certainly right on this one, because the album is soft and beautiful – recorded by Aretha Franklin in a moody late nite mode that's similar to early 60s work by Sarah Vaughn or Dinah Washington on Roulette! Backings are by Belford Hendricks – relatively full, with strings ... LP, Vinyl record album
Shuggie Otis' second appearance on record (the first was with Johnny Otis on the Cold Shot LP) – done in a studio blues jam headed by Al Kooper, who's more than willing to back off and let Shuggie get plenty of space to do his own thing! The record has Shuggie really going to town on a few ... LP, Vinyl record album
A really wonderful solo set by Gladys Knight – a record that has her stepping out strongly on her own, during a brief break from The Pips! The set's arranged by Gene Page – who mixes together strings and soul at a level that supports the classy style that Knight had forged at Buddah ... LP, Vinyl record album
The title's no joke, as Earth Wind & Fire are definitely part of the electric universe of early 80s Columbia Records – the galaxy that also includes Herbie Hancock during his electro years! As a result, there's a lot more keyboards and electric rhythms in the set than before – a ... LP, Vinyl record album