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Outrageous

LP (Item 22987) MGM, Late 60s — Condition: Very Good+
Just Sold Out!

LP, Vinyl record album


4.60 5

Funky magic from maestro Johnny Pate – a record that's very much in the same spirit as his blacksploitation soundtracks for Shaft In Africa or Brother On The Run! The style here is quite similar – full orchestrations, scored by Johnny with an all-soul feel – and played by a crack lineup of jazz and soul instrumentalists – including Richard Tee on organ, Bernard Purdie on drums, Montego Joe on congas, Jerome Richardson on flute, and Cornell Dupree and Joe Beck on guitars! The guitars really rip back and forth nicely in the set – searing one minute, choppy the next – and sometimes as much a part of the rhythms as the bass, drums, and percussion! Pate also draws a bit on his earlier years in jazz – using Richardson's flute to bring some Lalo Schifrin-like sensitivity to some tracks, and some Roland Kirk-like soul to a few others – working in a depth of sound that's way more than just straight jazz or instrumental soul. All titles are originals by Johnny, who also arranged and produced the set – and tracks include "No Hangups", "Sangria", "Bound To Happen", "That Ain't Too Cool", "Totally Unexpected", "You're Starting Too Fast", "Frustrating Disappointment", and "Constant Wind". (Yellow label promo pressing. Cover has light wear, some peeling on the spine and a DJ sticker on the back.)  © 1996-2015, Dusty Groove, Inc.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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