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Blues Is Now

LP (Item 22947) Verve, 1967 — Condition: Near Mint-
Gatefold

A much groovier set than usual from vocalist Jimmy Witherspoon – thanks to some great backing from the combo of organist Jack McDuff, which also includes guitar from a young Melvin Sparks! The sound here is definitely in keeping with the "blues" in the title – but McDuff's instrumentation brings in a fair bit of jazz as well – and really opens up the tunes with some of the playful rhythms he was laying down on his own records for Prestige in the 60s. And as usual, Witherspoon proves that he's every bit as much a jazz singer as a blues vocalist – by changing things up nicely on most of the tunes, and bringing in inflections that go way past a typical bluesy singing mode. The whole thing's nice and lively, with a really unique feel that's all its own – and titles include "Sweet Slumber", "My Money's Long This Morning Baby", "Part Time Woman", "Late One Evening", "SK Blues", and "Past Forty Blues".  © 1996-2019, Dusty Groove, Inc.
(Blue label pressing. Cover has light wear and small cutout hole.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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