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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An amazing little soundtrack that's almost better than the show for which it was written! The set's a landmark batch of work from Hugo Montenegro – working here in a jazzy style that has lots of 60s mod touches – traces of spy soundtrack influence, but a bit more straight ahead too ... LP, Vinyl record album
A beat-era film classic – Andre Previn's jazzy score to the film based on Jack Kerouac's novel The Subterraneans! Previn's working here in a mode that's sometimes lush and emotive, but often more upbeat and jazzy – and performed by a host of great jazz players that include Gerry ... LP, Vinyl record album
An obscure 60s spy soundtrack from Lalo Schifrin – done with a style that's a bit different than some of his other work at the time! There's still a fair bit of the trademark Schifrin elements – bits of jazz, bossa, and Latin touches on the tunes – but there's also a style here ... LP, Vinyl record album