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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great live document of one of the greatest groups to emerge from the Chicago AACM and reach a larger audience during the 70s – the mighty trio of Fred Hopkins on bass, Steve McCall on percussion, and Henry Threadgill on reeds! The album's got a soulful and inventive approach that merges ... LP, Vinyl record album
One of their early classics, and still one of the greatest groups with roots in the Chicago AACM scene. Henry Threadgill, Fred Hopkins, and Steve McCall play modern experimental versions of compositions by Jelly Roll Morton and Scot Joplin – plus Threadgill's own "Paille Street". LP, Vinyl record album
A great record from Osamu Kitajima – one of his most soulful ever! The record features some additional production and arrangements by Richard Evans – who takes Osamu's Japanese fusion style, and gives it a sparkling modern soul groove that's perfect for US audiences. In fact, Osamu's ... LP, Vinyl record album
Fantastic work from the massive electric years of the Cannonball Adderley Quintet – one of the group's last records to feature the keyboards of Joe Zawinul – and also one of the heaviest from the time! The set's a double-length gem that presents the group in an open live setting – ... LP, Vinyl record album
A late 70s issue of material that was originally recorded by Shaw and the group in their hometown of St Louis – where they held center stage in the city's small but committed avant garde scene, working as St Louis' answer to Chicago's AACM. Players include JD Paran on reeds, Joseph Bowie on ... LP, Vinyl record album
One of the most obscure sessions as a leader from the legendary bassman Paul Chambers – the crucial talent who really helped reinvent the role of his instrument in jazz during the 50s – and who left our planet all too soon! The record's got a vibe that's a bit different than Paul's ... LP, Vinyl record album
Late stuff by Cannonball, with a dope spacey electric sound, no doubt due to some very nice keyboards on the session by George Duke. The album's a bit mellower than some of the others on Fantasy, but it makes up for that with a warm snaking mellow funk groove. Brother Nat gives a helping hand on ... LP, Vinyl record album
A wonderfully-named session – as Charles Earland plays here with an intensity that's undeniable! The album marks a key shift for Earland – one away from the more standard soul jazz mode, into a realm of looser, freer rhythms that really take off from the start – knowing no end on ... LP, Vinyl record album
A beautiful little record from the Art Ensemble of Chicago – and although performed for a bigger label than some of their previous indie outings, the set may be one of the most dynamic the group ever recorded! Atlantic Records is clearly giving the group a lot of space here – as they're ... LP, Vinyl record album
Way nicer than some of Milt's earlier work – and one of the gems he recorded with bassist Ray Brown during the late 60s. The group's got a tight soul jazz stepping groove – with Monty Alexander on piano, comping along right over Ray's warm basslines in a very tasty way. Teddy Edwards ... LP, Vinyl record album
A great return to form for guitarist Sal Salvador – a player who didn't always get that much time in the spotlight in the 70s, until a big wave of fresh exposure from the Beehive label! Sal got his start in the Stan Kenton group, where he learned a great sense of color and phrasing – ... LP, Vinyl record album