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Mother Nature's Son

LP (Item 2258) Cadet, 1968 — Condition: Near Mint-

One of our favorite Ramsey Lewis albums of all time – an incredible reworking of tunes by The Beatles, done in collaboration with Cadet Records studio maestro Charles Stepney – who brings in some amazing arrangements and production styles to the record! The tunes are familiar, but the versions here definitely aren't – as Stepney really pulls them apart and puts them back together with a great range of new elements – sometimes a bit of electronics, sometimes funky drums, and often the kind of deep-bottomed, Chicago soul-styled grooves that Chess/Cadet was hooking up to its best players in the late 60s. Ramsey plays both acoustic and electric piano, and the album is easily one of his (and Stepney's) most brilliant moments in the studio! Titles include "Back In USSR", "Julia", "Sexy Sadie", "Dear Prudence", and "Everybody's Got Something To Hide Except For Me & My Monkey". Funky, spacey, and totally great!  © 1996-2022, Dusty Groove, Inc.
(60s blue fade label stereo pressing, in fantastic shape!)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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