This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A fantastic album, and one of Jimmy's hardest to find! The set is quite different than most of Jimmy's other work – and it features short, hard, funky tracks that feel more like obscure 7" singles than any of Jimmy's straighter soul jazz work. It almost sounds like The JBs are backing ... LP, Vinyl record album
A wicked set from the great Gary Bartz – one done after his mid 70s association with Larry Mizell – but still very much in a similar groove! The album's a great blend of Gary's soulful alto work with sweet electric backings – often put together with that angular stepping mode he ... LP, Vinyl record album
If the 60's ever had a "hit" jazz record, it was probably this one! The album's a sparkling live session featuring the trademark soul jazz sounds of the Cannonball Adderley group with Joe Zawinul on acoustic and electric piano, and brother Nat Adderley on cornet. The tracks have a long ... LP, Vinyl record album
A late 50s classic from Stan – recorded at the Rendezvous Ballroom in Balboa Beach, which Kenton and the group had made their unofficial headquarters at the time! The album's got a perfect late 50s Kenton sound – a blend of styles that still has some of the modernism of the early 50s ... LP, Vinyl record album
A really unique little album from Cannonball's all-great late years at Capitol – a session that features some strong influences from Brazilian music – "The Happy People" – and production from the legendary David Axelrod! The mix makes for a really unique little record ... LP, Vinyl record album
A stone classic from Cannonball Adderley – and a pivotal set that has him continuing the live recording setting of some of his best 60s albums, while also stretching forward to some of the more inventive ideas of the latter part of the decade! David Axelrod produced, and the album's ... LP, Vinyl record album
Very nice 2LP set that digs through Cannon's Riverside and Capitol recordings – and pulls together sides that he cut with famous guest players and singers, like Sergio Mendes, Nancy Wilson, Ernie Andrews, Charles Lloyd, Yusef Lateef, Eddie Vinson, and Bobby Timmons. The styles are very mixed ... LP, Vinyl record album
The quintessential sound of late 60s Horace Silver – on one hand still very much in the Blue Note soul jazz groove that earned him plenty of jukebox single play, but on the other hand really stretching out with a style that's a bit more righteous than before! Horace shows that he can still ... LP, Vinyl record album
Eddie Lockjaw Davis swings way out here – working in that cool cooking mode from the 50s, with organist Shirley Scott a very important partner on the date! The group's got a larger sound than usual – thanks to the addition of trombonist Steve Pullman – a player we don't know much ... LP, Vinyl record album