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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of those great obscure Anita O'Day sessions from the 70s – the sort that we've almost come to love even more than her classic albums on Verve! There's a relaxed, mature approach here that's really great – a toning down of the sometimes too-vibrant energy that Anita hit in her youth ... LP, Vinyl record album
A nice live set, with small combo backing that features Norman Simmons on piano and Greg Smith on baritone sax and flute! Titles include "Emily", "P'Town", "Four Brothers", "Little Orphan Annie", "Hershey Bar", and "Shakin The Blues Away" ... LP, Vinyl record album
The great Anita O'Day sings here with the trio of drummer John Poole – with the great Dwight Dickerson on piano! Titles include "Angel Eyes", "Black Coffee", "I Cried For You", "Bewitched", and "You'd Be So Nice To Come Home To". LP, Vinyl record album
A lost little session from Anita O'Day – recorded with some hipper and more sophisticated arrangements than she'd been getting on 50s work for Verve – thanks to charts from Johnny Mandel and Russ Garcia! The style is great – a bit more laidback than some of O'Day's other Verve ... LP, Vinyl record album
An early 60s repackaging of the album Anita – one of the strongest of Anita's mid 50s outings for Verve – and a tightly-crafted set that benefits from some good arrangements from Buddy Bregman! The format is perfect for Anita – giving her little space to have to make decisions, ... LP, Vinyl record album
One of Anita's strongest for Verve – featuring backing by a few different groups. One features Ralph Burns on piano and arrangments, leading a septet that includes Bill Harris, Cecil Payne, and Roy Eldridge – on the tracks "Rock N Roll Blues", "Love For Sale", " ... LP, Vinyl record album
An extremely playful set of tunes from vocalist Anita O'Day – working here with some lively Billy May arrangements that really show the best side of her sound at Verve! The tracks are all Rogers & Hart numbers – as you'd guess from the title – and Anita swings them with a ... LP, Vinyl record album
A definite shot at the pop market by Ella Fitzgerald – quite possibly recorded as a follow-up to the 60s success of former singing partner Louis Armstrong, who's referenced nicely in Ella's rendition of the title hit! The first 4 tracks on the set were done in the UK, under the leadership of ... LP, Vinyl record album