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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great set – cut when Curson was at the height of his youthful powers, and inspired by modernist ideas he'd picked up from Mingus and other contemporary jazz outsiders – including tenorist Bill Barron, who also plays on the LP! The recording is a perfect document of a time when the ... LP, Vinyl record album
Great live material from Shepp – not out or crazy, but also not spiritual or hippy dippy, either. The record's kind of a perfectly soulful straight ahead set – in a mode that hints at the traditional direction Shepp would take at the time, but with a lot more interesting moments. The ... LP, Vinyl record album
Rare LA bop sides from Dexter Gordon and Wardell Gray – two of the heaviest tenors to ever grace the west coast, recorded here in the prime of their late 40s careers. Tracks were recorded during the years 1946, 1947, and 1952 – and 6 tracks (including "The Rubiayat", "My ... LP, Vinyl record album
Beautiful solo work from Mal Waldron – a tribute to Billie Holiday, the singer with whom Waldron worked during the vinyl years of her life! LP, Vinyl record album
Two jazz giants of the 70s come together on this rare Italian recording from the late 60s – South African pianist Dollar Brand (Abdulla Ibrahim) and Argentine tenorist Gato Barbieri – both working here in spare duo formation, with edges that are a fair bit sharper than most of their ... LP, Vinyl record album
A really great record – maybe worth it alone for the duets between Marion Brown on alto and Wadada Leo Smith on trumpet! These tracks take up the first half of the record – while the second features Brown in duets with Elliott Schwartz on piano and keyboards! LP, Vinyl record album
Ben Webster's tone is wonderful here – that mature, mellow sound that he brought to some of his standout live dates – and which is captured here in the kind of relaxed, soloist-focused setting that always makes 60s recordings from the Cafe Montmartre so great! The group is a familiar ... LP, Vinyl record album
Original tunes and arrangements by Buck Clayton – played by a group that features Buddy Tate on tenor and clarinet, Bruce Turner on alto, and Humphrey Lyttelton on trumpet. LP, Vinyl record album
Dexter Gordon at his European best – working at his very familiar haunt, the Cafe Montmartre in Copenhagen – a city that welcome Dexter Gordon with welcome arms in the 60s, as Dex left America to take care of himself and renew his energy overseas – expanding his sound and styles ... LP, Vinyl record album
A great session from 1959 – one that features John Coltrane playing tenor in a combo that's billed as being led by altoist Cannonball Adderley – but which is really more of a Miles Davis combo, without Miles! The set was recorded in Chicago when both were stopping through the city ... LP, Vinyl record album