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New York City R&B

LP (Item 21418) Candid, 1961 — Condition: Near Mint-

An early 60s session by Cecil Taylor for Candid, and a record that's one of our favorites by him from the early years! Despite the seemingly odd use of the term "R&B" in the title, the record's actually got a sound that's a bit more soulful than usual for Cecil, with surprising use of blue chords and deep rhythms that make for tunes with a different feel at points – yet a groove that's still as modern as you might expect from Taylor! Neidlinger was actually the leader on this session, which we think wasn't issued except for the Jazzman and Barnaby series that dug through the Candid vaults some years after this it was recorded – so they took advantage of Taylor's greater notoriety when they cooked up the packaging. Other sidemen include Archie Shepp, Billy Higgins, Dennis Charles, Clark Terry, Steve Lacy and Roswell Rudd. 4 numbers in all, "Things Ain't What They Used To Be", "Cell Walk For Celeste", "OP", and "Cindy's Main Mood".  © 1996-2020, Dusty Groove, Inc.
(70s Barnaby pressing. Cover has a cutout notch.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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