This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A fantastic solo showcase for the voice of Jimmy Ricks – a singer who's perhaps known best for the deep tones he brought to The Ravens vocal group – but who sounds pretty great here on his own! The album's more jazz than soul – with Don Sebesky conducting, and using some nice ... LP, Vinyl record album
One of the greatest soul groups from the UK in the 80s – a real bright spot in the years before Soul II Soul and the rise of acid jazz – and a set we'd rank right up there with Sade's best work of the time! Working Week have a very jazzy sound at their core – acoustic rhythms, ... LP, Vinyl record album
A wonderful album from Sly and crew – moving way past the straight funk approach of earlier records, into a complicated crossover soul style that's filled with warmth and righteousness. Despite the political tone implied by the "riot" in the title and the co-option of the American ... LP, Vinyl record album
A real classic from Chicago soulman Dee Clark – and one of those crazy Vee Jay albums packaged in a cover with an image of young white love! Despite that cloying image, though, the record has a tremendous depth – and is a great illustration of the versatility of Clark at his best, ... LP, Vinyl record album
Marvin Gaye's last album ever – and a sensuous batch of grooves that almost return him to the sound of Let's Get It On! The style here is a bit more modern, but the sound is still great – a smoother approach to soul than most of Gaye's contemporaries at the time, recorded in a way that ... LP, Vinyl record album
Great cuts from the second decade of Marvin Gaye's career at Motown – really magic numbers pulled from that 70s period when he was really taking off with his music! There's a righteous undercurrent here that goes way beyond the simple soul of the 60s – and the set offers a great cross-s ... LP, Vinyl record album
Al Green's last secular album for Hi Records – but still a nice little cooker that's overflowing with Memphis soul! As with Green's previous set for Hi, the album's produced by Al himself, and not Willie Mitchell – in a style that's a bit rougher, chunkier, and almost funkier than the ... LP, Vinyl record album
A groovy record from Jose – with his best kind of crossover feel! It's an unusual title – one that refers to the first track on the record, recorded by Jose Feliciano at age 10 – and the rest of the material included, done when Jose was 23 years old. It's a mixture of American ... LP, Vinyl record album
Sweet vibes from the great Lionel Hampton – sounding different here than both his early swing years, and his later small combo modes – and working in a style that has his instrument in the lead over hip Chicago soul backings from the team at Brunswick Records! The album's got a nicely ... LP, Vinyl record album
Captivating work by Nina – working here in that unique crossover style she was using in the mid 60s – a blend of jazz and soul arrangements that were perfect for her intimate folksy style. The album's one of her first few for Philips, and it really has her opening things up a bit ... LP, Vinyl record album