A great little groover from saxophonist Charles Williams – possibly his strongest album ever, and a set that features some rare funky work from a young Don Pullen! There's a slightly bluesy undercurrent to a few cuts – thanks to organ from Pullen and guitar from Cornell Dupree – but overall, the set's in an early 70s soul jazz mode – nice and open at times, and not as tightly arranged as some of the other Mainstream Records sets. Other players include David Brooks on tenor, Jimmy Lewis on bass, William Curtis on drums, and Montego Joe on congas – helping to chop up the bottom rhythms nicely! Titles include the groovy "Booger Bear", plus "Chop Chop", "Cracklin Bread", "Trees & Grass & Things", "Exactly Like You", "Song From The Old Country", and "Moving Up". (Cover has masking tape along the top & botom seams, and some wear along the spine.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.