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Art Blakey's Jazz Messengers With Thelonious Monk
LP (Item 20992) Atlantic, 1957 — Condition: Very Good-$29.99 ...
LP, Vinyl record album
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Art Blakey & Thelonius Monk — Art Blakey's Jazz Messengers With Thelonious Monk (2CD edition – with bonus tracks) ... CD 22.99
Art Blakey & Thelonius Monk — Art Blakey's Jazz Messengers With Thelonious Monk (with bonus tracks) ... CD 5.99
Art Blakey & Thelonius Monk — Art Blakey's Jazz Messengers With Thelonious Monk (2CD edition – with bonus tracks) ... CD 22.99
Art Blakey & Thelonius Monk — Art Blakey's Jazz Messengers With Thelonious Monk (with bonus tracks) ... CD 5.99
Angular Monk meets hard-driving Art Blakey – in a session that's quite unique, and which has gone onto become one of the best-remembered Atlantic jazz sessions of the late 50s! The album features Blakey in that key non-Blue Note year of 1957 – a time when he was working with a variety of players, at a variety of labels, and taking some real chances with his music before settling into his more established hit Jazz Messengers sound. The group here is Art's own – with Johnny Griffin on tenor, Bill Hardman on trumpet, and Spanky DeBrest on bass – augmented by the piano of Thelonious Monk – a match that might seem unlikely at first, but not so much so after you consider the great work that Monk and Griffin did together at Riverside during the late 50s. There's a nice match between Johnny's sharp-edged tenor and Monk's imaginative playing – and if anything, the record has Blakey, Hardman, and DeBrest moving dynamically to keep up with the flurry of modern ideas coming from Griffin and Monk! Tracks are almost all originals by Thelonious too – a fact that definitely helps keep up the "Monk-ish" sound of the record – titles that include "Evidence", "Blue Monk", "I Mean You", and "Rhythm A Ning" – alongside Griffin's "Purple Shades". © 1996-2024, Dusty Groove, Inc.
(Stereo green label pressing with deep groove. Cover has some light wear and aging.)
(Stereo green label pressing with deep groove. Cover has some light wear and aging.)
Very Good - (minus)
- Vinyl may be dirty, and can lack a fair amount of luster.
- Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
- This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
- Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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