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More More More Latimore – Let's Straighten It Out
LP (Item 2081) Glades, 1974 — Condition: Very Good+
Pure genius from the legendary Latimore – and a record that's a perfect illustration of the way the man could effortlessly mix blues roots, southern soul, and a whole new Miami groove for the 70s! The record is easily one of Latimore's best – and has these vocals that grab us right from the start – filled with feeling, and mixed with sublime lines on Fender Rhodes that inflect everything with a fresh, new sound – way different than any cluttered cliches of the previous few decades, in a style that few others have ever tried again! And in addition to Rhodes, Latimore also plays a bit of Hammond and melodica on the album too – the latter of which really furthers the laidback, trippy sound of the grooves – and which makes for one of the most unique TK albums of the time. Little Beaver plays guitar on the album – and in addition to the massive long album version of "Let's Straighten it Out", other tracks include "Ain't Nothin' You Can Do", "Put Pride Aside", "I Don't Know", "Ain't Nothing You Can Do", and "That's How It Is". © 1996-2024, Dusty Groove, Inc.
Very Good + (plus)
- Vinyl should be very clean, but can have less luster than near mint.
- Should still shine under a light, but one or two marks may show up when tilted.
- Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
- This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
- May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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