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Falso Brilhante

LP (Item 20795) Philips (Brazil), 1976 — Condition: Near Mint-
Gatefold

One of the most diverse albums that Elis Regina cut during the 70s – a set that seems to leap from style to style with each new track, and really build from some of the more staid and jazz-based styles of her other records! Cesar Camargo Mariano is still in charge of arrangements here, but the overall sound is relatively different – mellow one minute, rockish the next, cast in stark piano after that, and always moving onward with the sort of variety we might expect from Gal Costa or Maria Bethania at this point. Some cuts are tinged with Latin and South American instrumentation, while others more guitar and electric keyboards – and highlights of the album include versions of two Joao Bosco songs "O Cavaleiro E Os Monihos" and "Jardins De Infancia", which has a beautiful soaring electric feel to it, and is a real groover along the lines of the tracks you might find on Blue Brazil. Other titles include "Tatuagem", "Como Nossos Pais", "Velha Roupa Colorida", "Los Hermanos", and "Um Por Todos".  © 1996-2020, Dusty Groove, Inc.
(A nice copy! Cover has a small import sticker in one corner.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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