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Falso Brilhante
LP (Item 20795) Philips (Brazil), 1976 — Condition: Very Good Gatefold
Just Sold Out!
LP, Vinyl record album
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One of the most diverse albums that Elis Regina cut during the 70s – a set that seems to leap from style to style with each new track, and really build from some of the more staid and jazz-based styles of her other records! Cesar Camargo Mariano is still in charge of arrangements here, but the overall sound is relatively different – mellow one minute, rockish the next, cast in stark piano after that, and always moving onward with the sort of variety we might expect from Gal Costa or Maria Bethania at this point. Some cuts are tinged with Latin and South American instrumentation, while others more guitar and electric keyboards – and highlights of the album include versions of two Joao Bosco songs "O Cavaleiro E Os Monihos" and "Jardins De Infancia", which has a beautiful soaring electric feel to it, and is a real groover along the lines of the tracks you might find on Blue Brazil. Other titles include "Tatuagem", "Como Nossos Pais", "Velha Roupa Colorida", "Los Hermanos", and "Um Por Todos". © 1996-2023, Dusty Groove, Inc.
(Cover has light wear, mild corner bump.)
(Cover has light wear, mild corner bump.)
Very Good
- Vinyl can have some dirt, but nothing major.
- May not shine under light, but should still be pretty clean, and not too dirty.
- May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
- May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
- This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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