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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Maybe the last great album in the Ohio Players run for Mercury in the mid 70s – a set that's every bit as smooth, sexy, and funky as their other major label efforts from the time – and one that continued to refine the grittier funk of their roots! While the Players might be remembered ... LP, Vinyl record album
A nice disco record from Hamilton Bohannon. The album mainly contains uptempo dance numbers but there are a few slower songs like "Daddy's Little Son" – a dedication to his son whose picture is on the cover of the album. The other tracks are "Andrea", "But What Is A ... LP, Vinyl record album
Is this the same group that went onto become Aurra and record disco records for Salsoul? We don't think so, but folks tell it that it is. Whatever the case, though, the record's a great batch of funky rock tracks, with some really hard groovers that crossover to a funky soul market – ... LP, Vinyl record album
Brilliant 70s work by The Dells – and an album that has the group reinventing themselves wonderfully, by moving over to Philly and recording with Norman Harris! As he did with so many other artists at the time, Harris took the group firmly into the clubs with a soaring Sigma sort of groove ... LP, Vinyl record album
A sweet groover from Esther Phillips – done in a style that's much more club-oriented than before, but which we find ourselves liking quite a lot! Given that Esther had explored other modes quite thoroughly on other 60s and 70s sessions, the change here is actually a nice one – and the ... LP, Vinyl record album
A pivotal album from The Bar-Kays – a key post-Stax set, but one that's still very firmly grounded in Memphis funk! The groove definitely shows a bit more polish than before – the same sort of shift the Ohio Players made after moving to Mercury Records – but as with the Players ... LP, Vinyl record album
A super tripped-out blend of rock, funk, and soul – easily one of Buddy Miles' most mindblowing albums – and a classic that never lets up at all! Buddy's leading the whole group on drums – really kicking things large from behind the kit – while the rest of the group jams in ... LP, Vinyl record album
Bass-heavy soul from Central Line – very much in the Kleeer mode, although perhaps with more funk and less harmony vocals. The bass pedals and keyboards are in full effect here – and the vocals get dramatic at times just to keep up with them. Titles include "Man At The Top", ... LP, Vinyl record album
A stone classic from Bobby Womack – one of those records that has all his best elements firmly in place, put forward at a level that's sophisticated and polished, yet never too commercial at all! Bobby's voices are still incredible – that raspy, personal feel that's rooted in country ... LP, Vinyl record album
Amazing stuff from Isaac Hayes! Although Ike had first appeared on LP with the album "Introducing", this was the first record to really expose his true soul genius – and it was also the first release on Ike's successful sub-label at Stax, Enterprise Records. The record shows that ... LP, Vinyl record album