This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A plenty funky record, despite a cheesy cover – which shows James Brown as a disco-era player – kicking back on a couch with an unbuttoned shirt, while two topless girls dance in front of him – showing him their "cakes"! The groove's definitely different than the ... LP, Vinyl record album
Excellent early 70's compilation of some of James' best funky singles from his late King and early Polydor years, and a record that features a lot of cuts that didn't necessarily show up on LP that easily. Includes such massive groovers as "Make It Funky Part 3", "Sex Machine", ... LP, Vinyl record album
Sweet silky harmony soul from the trio of Harry Ray, Billy Brown, and Al Goodman – the group's first album under a new name – after some previous indie work as The Moments! The album's got the group really stepping up with a rich new sound – drawing on all the best elements of ... LP, Vinyl record album
The first album by the second group to call themselves the Last Poets – and as fierce a document of their rich talents as you'll ever find – bursting forth with anger and righteousness at a level as tight as Gil Scott-Heron's first album! The group here is the key second lineup of the ... LP, Vinyl record album
A stunner of a soundtrack from the maestro Barry White – his only entry into the blacksploitation film genre of the 70s, and a complete doozy throughout! For the album, Barry's stripped down the bigger space of his own records, and his Love Unlimited productions – into some shorter ... LP, Vinyl record album
Released shortly after Sam's death, this is a beautiful batch of ballad tracks to remember how sweet his voice was. The production's a bit pop, but Sam's singing is as heavenly as ever. Titles include "When A Boy Falls In Love", "Try A Little Love", "Bridge Of Tears" ... LP, Vinyl record album
A killer classic from the second chapter of the Undisputed Truth – that time when the group stepped away from their Motown home, and followed producer/creator Norman Whitfield to his own label in California! The shift of record companies also marks a cool shift in styles too – an ... LP, Vinyl record album
The warm, sweetly grooving Eloise album from Eloise Laws – a nice bit of smoothly produced LA soul, with arrangements by Gene Page, and production by Linda Creed and Jerry Goldstein. Eloise's vocals are really wonderful here, exuding warmth something of relaxed approach to her singing that ... LP, Vinyl record album
A very important crossover soul album – a huge hit for Otis Redding that was released after his tragic death in December 1967 – but it's also hard to say if it would have had the impact it did had Redding not passed while the LP was still in production. In a way, the record sort of set ... LP, Vinyl record album