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This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
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if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A fantastic album from this legendary jazz funk combo – a bit smoother than their first, but that's the great thing about it! The record has the band getting even tighter than before – coming up with an amazing jazz-inflected funk groove that still leaves us breathless after all these ... LP, Vinyl record album
A lost bit of jazzy soul from the late 70s – produced by Wayne Henderson with the same great style as his other Fantasy Records sets at the time! There's some uptempo numbers, but our favorite cuts are the mellower ones – and the great Bobby Lyle plays some nice keyboard lines on the ... LP, Vinyl record album
Great later work by Isaac Hayes – working here in a post-Stax, post-ABC mode that has him forging a smooth soul sound that's really great! The album's not disco, but more of an extension of Ike's baroque approach to arranging – with subtle use of strings and keyboards, in a real Philly ... LP, Vinyl record album
Later Dennis Coffey, but still with some groovy tracks, even though the production's a bit smoother and a little faster than his early stuff. With "Funk Connection", "Back Home", and "Wings of Fire". The guitar's still out front, and the whole thing's written and ... LP, Vinyl record album
The biggest-label release ever cut by 70s funk legend Betty Davis – but a set that's every bit as hard and heavy as the indie dates that preceded it! Davis is at the top of her form here – bad-stepping amidst the heavy drums and freaked-out guitars that easily made her one of the ... LP, Vinyl record album
War did the music for this funky soundtrack to an early Lawrence Hilton-Jacobs film, and although most of the stuff on here is just typical War stuff, there's one track called "Flying Machine" that's a long funky chase scene-type track that's worth the price of the album alone! Other ... LP, Vinyl record album
This is the second of two live albums that Marvin Gaye cut during the 70s – and in many ways, it's the better one! The record features three sides of work recorded live at the London Palladium – mostly in these swirling medleys that are introduced by Marvin in a very soulful mode, then ... LP, Vinyl record album
A sweeeeeet groover by Patrice Rushen – her first album for Elektra, and a stunning blend of funky jazz and soul! The record really has Patrice stepping out from her earlier years at Prestige – working in some surprisingly great vocals next to tight lines on Fender Rhodes, synth, and ... LP, Vinyl record album
Great work from the Ohio Players – and proof that moving to a big label could be a good thing for a funky group! This was the band's first album for Mercury – and although one might have the temptation to say that the label cut down the radical funk sound of the trippy Westbound years, ... LP, Vinyl record album
One of THE disco hits of the 70s – a set that spawned not only a huge hit single for Anita Ward, but which also firmly pushed the Miami scene over the top! The record's a wonderful mix of modes – served up with stone southern soul production from Frederick Knight, but also given plenty ... LP, Vinyl record album
Not as strong as Coke's earlier work on Mercury – but not a bad album overall, thanks to some tight production work by Pat Gleeson, who's also most likely playing the cool keyboards on the record. Most of the tunes are aimed at the dancefloor – not really disco numbers, but the sort of ... LP, Vinyl record album