This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Preorder: This title is scheduled for release about Friday, March 21.
About Preorders
A preorder allows you to place a reservation for an item prior to its scheduled release date to ensure fulfillment
before going up for sale to the general public.
By placing a preorder you are making a commitment to buy the item on arrival.
There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs.
These are the grades that we use and what they mean for items that are not new copies.
Used Vinyl Grades
These are the stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these are described in the item notes. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally,
all of our records are graded visually;
considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Sealed
This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Near Mint
Dusty Groove does not use the grades of Near Mint
(or Mint, for that matter) because in our experience, we find that no records
ever qualify for such a high grade. Even sealed records tend to have one or two
slight faults, enough to usually qualify them for a grade of NM- or lower. We've
often found that records which are clearly unplayed will have a slight amount of
surface noise, especially in quieter recordings.
Near Mint - (minus)
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Very Good
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Very Good - (minus)
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Good + (plus)
Vinyl may be dirty, or have one outstanding flaw,
such as a light residue, which could be difficult to clean.
May have marks on all parts, too many to qualify as Very Good-,
or several deeper marks, but the record should still be ok for play without skips.
In general, this is a record that was played a fair amount,
and handled without care. A typical example may be a record which has
been heavily played by a DJ, and carries marks from slip cueing.
Depending on the quality of the vinyl, may play with surface noise throughout.
Good
A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
Will have marks across all parts of the playing surface,
and will most likely play with surface noise throughout.
May have some other significant flaws, such as residue, or a track that skips.
In most cases, a poor quality copy of a very difficult to find record.
Fair
This is a grade we rarely use, as we try not to sell records
in very bad condition, though in some rare cases we will list a
record in such bad shape that it does not conform to our standards.
A "Fair" record will have enough marks or significant flaws that it
does not even qualify as "Good", but is a copy you might consider
for playing, if you're willing to put up with noise and/or flaws.
An example might be a recording with surface noise so heavy that
it is equal to the volume of the music. For records listed as "Fair",
we will describe the extent of the condition in the notes.
Poor
Like "Fair", we rarely list records in this condition,
as they represent the extreme low end of spectrum.
These records typically have multiple serious problems,
and we offer them as "relics" or "objects" only — for
those who want to at least have a copy of a record,
even if it is not really worthy of play, perhaps for the cover alone.
For these records, we will describe the extent of the condition in the notes.
Used CD Grade
We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Used Book Grade
We use the all-encompassing grade "Used Book" for all non-new books.
You can expect each volume to be clean and free of markings, tears or major defects unless mentioned in the notes just like we do with LPs and CDs. Used books may show some signs of handling or age. Specific issues with the condition like remainder marks, stickers, underlining, or other defects are described in the notes.
Used Grade
We use the all-encompassing grade "Used" for miscellaneous non-new items. Specific condition details
are described in the notes.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or pressing details,
or an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear, or strictly cosmetic flaws.
A rare gem from 60s Brazil – a live recording featuring 3 of the most groundbreaking artists of the bossa era! The set was recorded at the "temple of bossa" – the Paramount Theater in Sao Paulo – and it features important early work by all the artists involved. Nara ... LP, Vinyl record album
An album of pure genius – easily one of the greatest Brazilian albums ever, and a landmark set from the Tropicalia years! There's a brilliance here that's hard to describe accurately – quite possibly because the young Caetano Veloso is experimenting with so many new ideas, the album ... LP, Vinyl record album
One of the building blocks of the late 60s Tropicalia scene in Brazil – and a standout solo debut from the young Caetano Veloso! The album's got an approach that's as dynamic and trippy as its cover image might imply – the same amazing blend of sounds and styles you'd hear on ... LP, Vinyl record album
The sublime debut album from Argentine guitarist Agustin Pereyra Lucena – a musician who learned plenty from the bossa guitar generation of the 60s, then took things into his own hand with this wonderful record! Agustin's acoustic guitar is the main instrumentation on the set – ... LP, Vinyl record album
Samba is their gift – and we're all that much richer for it! Os Ipanemas return here in one of their best albums so far – a beautiful blend of earthy percussion, samba rhythms, and just a bit of bossa jazz – put together with a style that's personal and spontaneous, recorded ... LP, Vinyl record album
One of the sweetest electric records to come from 70s Brazil – the fabulous first effort from the Azymuth trio, and work that's hardly been matched again! Although the group here have plenty of the warm keyboard touches of their more famous later work, they're also moving in territory that's ... LP, Vinyl record album
Fantastic stuff – and one of the greatest records ever by Brazilian keyboardist Antonio Adolfo! The album was recorded at the end of the 70s, and has a sound that's a lot like the best fusion work by Azymuth – a great mix of jazz and funk, plus more dynamic Brazilian elements – ... LP, Vinyl record album
A sublime little set – quite possibly the greatest album ever from Brazilian keyboardist Manfredo Fest! Manfredo first cut his teeth on the bossa scene of the 60s – but by the time of this rare indie session, he'd moved up to the US – and was working with sweet keyboards to ... LP, Vinyl record album
A landmark bit of Brazilian from Europe – and a sweet groover from guitarist Agustin Pereyra Lucena! The set was recorded in Oslo, but it's got the warm sound of a Brazilian jazz set from the time – with Agustin on acoustic guitar and percussion – backed by a quartet that ... LP, Vinyl record album
The very obscure third volume in the legendary Racional series from Brazilian soul legend Tim Maia – and like the other two, a record that really furthers the rich legacy of music he'd begun at the start of the 70s! There's a very righteous vibe going on here – music that soars for the ... LP, Vinyl record album
One of the grooviest Verve albums of all time – a rare American session from Brazilian legend Marcos Valle – and his only US album to feature vocals! The album's even dreamier than Valle's early bossa sides from Brazil – and the setting has some nice Verve-like touches from ... LP, Vinyl record album
The sound of global soul in the 21st Century – and an amazing set from the legendary Seu Jorge! Jorge's possibly best known for his appearances in films – like The Life Aquatic or City Of God – but take it from us, he's one of the greatest living artists working in modern music ... LP, Vinyl record album
The lasting legacy of the enigmatic Ted Lucas – a somewhat mysterious figure who moved between Detroit and Los Angeles in the late 60s – but who works here with a sound that's completely his own! Part of the record was created as demo tracks for Warner Brothers – who'd issued ... LP, Vinyl record album
The lasting legacy of the enigmatic Ted Lucas – a somewhat mysterious figure who moved between Detroit and Los Angeles in the late 60s – but who works here with a sound that's completely his own! Part of the record was created as demo tracks for Warner Brothers – who'd issued ... LP, Vinyl record album
An overlooked spiritual jazz gem from the 70s – recorded for the Dutch Timeless label, but done in a mode that sparkles with the energy of Strata East at the time! Guitarist Rodney Jones is in some wonderfully hip company for the set – a lineup that includes Kenny Kirkland on piano, ... LP, Vinyl record album
Ruben Blades has some great backing here – bold, jazz-infused salsa sounds from Roberto Delgado – not the older German easy arranger, but the younger, more vibrant Panamanian talent who's made some great records in recent years! The tunes are mostly originals by Blades – some new ... LP, Vinyl record album
Album features a long list of guest artists including John Mayer, Santana, Angelique Kidjo, Christina Aguilera, Paul Simon, Annie Lennox, Sting, Jonny Lang, Joss Stone, Damien Rice, and Trey Anastasio. LP, Vinyl record album