Massive music from bassist Teruo Nakamura – a set that brings a Japanese take to the US fusion scene of the mid 70s – blending Teruo's warm, soulful vision with some great work from players who include Steve Grossman and Carter Jefferson on reeds, Lonnie Smith on keyboards, and Harry Whitaker on electric piano! The tracks are tight, but never slick – driven strongly forward by Nakamura's killer basslines, but always in a relaxed, open way that gives the players plenty of room to solo freely – almost with the energy of some of the more electric spiritual jazz sets of the 70s, but a bit tighter overall. The album's a killer all the way through – a surprising, but excellent choice for wider issue in the US at the time – and titles include "Red Shoes", "Precious One", "The Cat", "Steppin with Lord", and "Sweet Pea & Collard Greens". (Cover has a cut corner.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.