This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
Great work from one of the hippest jazz contemporaries of the late 60s – trumpeter Kenny Dorham, a player who was really coming into his own by the time of this album! The record has Kenny with a nice sort of edge – not as boldly experimental as his 60s work for Blue Note, but ... CD
Includes the songs "Una Mas", "Straight Ahead", "Sao Paulo", "If Ever I Would", "Leave You", "Trompeta Toccata", "Night Watch", "Mamacita", and "The Fox". CD
Classic early work from Kenny Dorham as a leader – a brilliant set that sparkles with modern touches! The group's a quartet that pairs Kenny's trumpet with the alto sax of the late Ernie Henry – a perfect accompanist that brings out both the brightness in Kenny's horn, and the edgier ... CD
Notable sidemen include Cannonball Adderley on alto, Oliver Nelson on tenor, Cecil Payne on baritone sax, Walter Bishop on piano, Paul Chambers on bass, and Art Taylor on drums – 12 tracks total. CD
With Harold Vick and Teddy Edwards on tenor saxes, Blue Mitchell on trumpet, Gene Edwards and Pat Martino on guitar, Paul Chambers on bass, and Billy Higgins, Freddie Waits or George Randall on drums. CD
Eddie Lockjaw Davis/Coleman Hawkins/Arnett Cobb/Bu
The title's terrible, but the album's a great one – a really classic-styled jam session, of the sort that the Prestige label hardly ever recorded! The session features 4 tenor giants of slightly older vintage – Eddie Lockjaw Davis, Coleman Hawkins, Arnett Cobb, and Buddy Tate – ... CD
The first album that guitarist Pat Martino ever cut as a leader – and an excellent mix of styles that links his soul jazz roots with his later, trippier recordings! The group here is a sextet, and it features organist Trudy Pitts (who was Martino's boss at the time), plus flute, drums, and ... CD
Probably the best of Arnett's albums for Prestige – thanks to an incredible set of players that includes Bobby Timmons, Sam Jones, and Art Taylor. With a group like that it's hard to miss – and believe us, Arnett doesn't! Timmons' firey piano is a nice change from some of the more ... CD
2 classic albums by the team of Don Patterson and Sonny Stitt – back to back on one CD! Funk You is a very cooking set by organist Patterson – and one that has him leading a 2-horn frontline that includes Sonny Stitt and Charles McPherson. Pat Martino's on guitar, and Patterson's ... CD
Eric Dolphy's first meeting in the studio with trumpeter Booker Little – a brilliant batch of modernism that's easily one of the hippest records Little ever worked on! The Dolphy heard here is Eric at his most inventive – sharp-edged and angular one minute, then spiritually lyrical the ... CD
A great set of soul jazz from McPherson – recorded live, with a rolling groove that's in the Blue Note mode of the mid 60s – but even more open overall! The group's got a lot of hometown talent from McPherson's native Detroit – including Barry Harris on piano, Lonnie Hillyer on ... CD