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Indestructible
LP (Item 2009) Blue Note, 1964 — Condition: Sealed
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Art Blakey — Indestructible (RVG remaster edition) ... CD 8.99
Art Blakey — Indestructible (with bonus track) ... CD 9.99
Art Blakey — Indestructible (RVG remaster edition) ... CD 8.99
Art Blakey — Indestructible (with bonus track) ... CD 9.99
Maybe one of the most famous records ever from master drummer Art Blakey – in part because of the cover, which has come to stand for the Blue Note aesthetic of the 60s! But despite that famous image, the music is more than worthy of attention – as the group features that unusual sextet lineup of the Jazz Messengers that made some amazing sounds in the mid 60s – Blakey on drums, Lee Morgan on trumpet, Wayne Shorter on tenor, Curtis Fuller on trombone, Cedar Walton on piano, and Reggie Workman on bass! Morgan and Shorter are really growing and pushing themselves in different ways than their work with Blakey at the start of the 60s – and the addition of Fuller, and especially Walton, really gives the group this rounded warmth that shows a new level of maturity – a quality that comes through both in the playing, and the writing – as songs are all originals by Walton, Fuller, Morgan, and Shorter. Titles include "The Egyptian", "Sortie", "Calling Miss Khadija", and "Mr Jin". © 1996-2025, Dusty Groove, Inc.
(180 gram Blue Note 80 reissue.)
(180 gram Blue Note 80 reissue.)
Sealed
This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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