Muriel Grossmann : Light Of The Mind (CD) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Light Of The Mind

CD (Item 200662) Dreamland (Australia), 2024 — Condition: New Copy
$16.99 ...

CD

List Price: 24.99
A fantastic step forward for Muriel Grossmann – an artist who just keeps on expanding her talents at the same time she's expanding our minds! Murial delivers her familiar reed work here – on tenor, alto, and soprano sax – but she also brings deeper spiritual currents into play with sounds on harp, tambura, and harmonium – all instruments that really match the modal, spiritual sounds that emanate from the guitar of Radomir Milojkovic, drums of Urus Stamenkovic, and Hammond B3, Fender Rhodes, and moog of Abel Boquera! All these instruments flesh out the music and give it a slightly different vibe than some of Grossmann's recent records – still every bit as spiritual and soulful, but wider-reaching too – on tunes that include "Pointing Out", "Ultimate Awareness", "Eternal Laughter", "The Light Of The Mind", and "Unison Unveiled".  © 1996-2025, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.


Used Vinyl Grades

These are the stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these are described in the item notes. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to our standards. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the notes.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the notes.


Used CD Grade

We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.

Used Book Grade

We use the all-encompassing grade "Used Book" for all non-new books.

You can expect each volume to be clean and free of markings, tears or major defects unless mentioned in the notes just like we do with LPs and CDs. Used books may show some signs of handling or age. Specific issues with the condition like remainder marks, stickers, underlining, or other defects are described in the notes.

Used Grade

We use the all-encompassing grade "Used" for miscellaneous non-new items. Specific condition details are described in the notes.

Condition Notes

If something is relevant, we try to describe it in the notes — especially if it is release or packaging details, or an oddity that is the only wrong thing about the CD. This might include, but isn't limited to, scratches, tracks that skip, case/insert damage or wear, or strictly cosmetic flaws.


You might be interested


James Brandon Lewis

Apple Cores
Anti, 2025. New Copy
Maybe one of the greatest albums to date from saxophonist James Brandon Lewis – and that's saying a hell of a lot, given that all of his records have been pretty darn fantastic! The set features a series of tracks that are improvised, but often very rhythmic – dancing with all this ... CD
About Time, 1983. New Copy
Overlooked genius from Henry Threadgill – one of his under-exposed 80s sessions for the About Time label, and work that's every bit as great as his better-known sides for Delmark or Black Saint! The group here has a nice sense of freedom and interplay – almost a quality that hearkens ... CD
Aum Fidelity, 2024. New Copy
Maybe one of the most burning albums we've ever heard from Darius Jones – a set that's done as a stripped-down trio – with the drums of Gerald Cleaver and bass of Chris Lightcap next to Jones' really wonderful work on alto! At times, the record has a freewheeling energy that takes us ... CD

Henry Threadgill

When Was That?
About Time, 1982. New Copy
One of the most beautiful, lyrical albums we've ever heard from Henry Threadgill – a set that still has all the sharp edges you might know from his other work, but which also comes across with a slightly more sensitive sound as well! The compositions are beautiful – really well-written ... CD
Saturn/Cosmic Myth, 1966. New Copy
One of the rarest Sun Ra albums ever – and one of the most enigmatic, too! Strange Strings is a very unique session recorded with an otherworldly sound – heavily steeped in the use of "electronic strings", amplified string instruments recorded with crazy echo and other ... CD
Saturn/Cosmic Myth, 1966. New Copy
One of the rarest Sun Ra albums ever – and one of the most enigmatic, too! Strange Strings is a very unique session recorded with an otherworldly sound – heavily steeped in the use of "electronic strings", amplified string instruments recorded with crazy echo and other ... CD
British Progressive Jazz (UK), 1971. New Copy
A never-issued gem from British jazz giant Graham Collier – a set that follows strongly in his larger projects of the period, but also comes across with even more of an edge than some of those famous records! The work was a special commission done for an arts festival – but the lineup ... CD

David Janeway

Forward Motion
Steeplechase (Denmark), 2024. New Copy
Pianist David Janeway has a fantastic trio here – Cameron Brown on bass and Billy Hart on drums – both really wonderful players who open up his sound in mighty nice ways! Janeway always has a great tone on the piano, but the depth of Brown's basswork seems to expand it more here – ... CD

Dick Sisto & Andy Laverne

Two For Bill
Steeplechase (Denmark), 2024. New Copy
A beautiful combination of piano and vibes – the former from Andy LaVerne, the latter from Dick Sisto – working here in very open space, and without any accompaniment at all! The tunes have a gently resonant approach – one that seems to echo the room in which the pair are ... CD
British Progressive Jazz (UK), 1979. New Copy
Very freewheeling live work from the legendary Elton Dean – recorded at a time when he'd already been through a huge 70s run of records in Soft Machine, and a fair bit of his own dates as a leader – and was one of the key saxophonists on the British scene! Here, he works with a very ... CD

Ludivine Issambourg

Above the Laws
Heavenly Sweetness (France), 2024. New Copy
A sweet flute player with a wonderfully warm vibe – working here in a mix of funky jazz modes that takes us back to Bobbi Humphrey in the 70s! Luidivine Issambourg has a very different style of blowing than Bobbi, but she's set up in these great backings that use just the right blend of ... CD
Strawberry (UK), Late 1960s/Early 1970s. New Copy
A fantastic look at a really groundbreaking moment in British music – a time when modern jazz, progressive rock, and psychedelic music were all being jumbled up and shaken up – with results that were completely unique to the scene, and still really sound tremendous all these many years ... CD
 



⇑ Top