Various : Let's Go Trippin – Classic Tracks From The Surf & Hot Rod Era (CD) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Let's Go Trippin – Classic Tracks From The Surf & Hot Rod Era

CD (Item 200495) Dot/Ace (UK), Mid 1960s — Condition: New Copy
Temporarily Out Of Stock

CD

✈
❔
A range of raunchy surf and hot rod tunes – all pulled from the vaults of Dot Records, a surprisingly big source for this sort of music in the 60s! Although Dot's LP releases were often the stuff of softer pop fare, their singles division pressed plenty of hip platters – including a wide range of very groovy records that were right at the forefront of harder styles in the early 60s. A few tracks here are vocals, but most are instrumentals – and although you're bound to recognize a few of the bigger names, there's also a good array of more obscure material here too – all wrapped up with the usual loving care we've come to expect from Ace Records. 30 tracks in all – including "Showbiz" and "Chicago Green" by The Surfaris, "Boss" and "Boss Strikes Back" by The Rumblers, "Let's Go Trippin" by Milt Rogers, "Linda's Tune" by The Rangeros, "Milky Way" and "Three Surfer Boys" by Gary Usher & The Usherettes, "Beach Girl" by Pat Boone, "Samoa" by The Beachcombers, "Ballad Of Bonneville" by Don Brandon, "Beyond" and "Space Probe" by The Chantays, "Power Shift" by The Competitors, and "Surfer's Stomp" by Vaughn Monroe.  © 1996-2025, Dusty Groove, Inc.
(Now out of print!)

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.


Used Vinyl Grades

These are the stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these are described in the item notes. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to our standards. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the notes.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the notes.


Used CD Grade

We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.

Used Book Grade

We use the all-encompassing grade "Used Book" for all non-new books.

You can expect each volume to be clean and free of markings, tears or major defects unless mentioned in the notes just like we do with LPs and CDs. Used books may show some signs of handling or age. Specific issues with the condition like remainder marks, stickers, underlining, or other defects are described in the notes.

Used Grade

We use the all-encompassing grade "Used" for miscellaneous non-new items. Specific condition details are described in the notes.

Condition Notes

If something is relevant, we try to describe it in the notes — especially if it is release or packaging details, or an oddity that is the only wrong thing about the CD. This might include, but isn't limited to, scratches, tracks that skip, case/insert damage or wear, or strictly cosmetic flaws.


You might be interested


Ritchie Valens

Ritchie Valens/Ritchie
Del-Fi/Ace (UK), 1959/1960. New Copy
CD...$5.99 14.99
Two rare full length albums from Ritchie Valens – back to back in a single set! First up is the self-titled Ritchie Valens album from 1959 – a fantastic full length album, and one that will show you that he's got a lot more to offer than just his few well-remembered hits! There's a ... CD
Eclectic/Ace (UK), 1980. New Copy
CD...$5.99 14.99
A later solo album from Woolly Wolstenholme – best known for his key contributions to Barclay James Harvest during their glory days – stepping out here in a mode that's got that updated prog approach so many of his contemporaries were using as the 80s began! The production is a bit ... CD
Vee Jay/Ace (UK), 1963. New Copy
CD...$5.99 14.99
Two fantastic albums from the Four Seasons – plus bonus tracks too! First up is Ain't That A Shame – pure genius from the Four Seasons – heard here very early in their career, but already sparkling with all the fantastic things that would make them so unique! The Bob Crewe ... CD
Big Beat/Ace (UK), Mid 1960s. New Copy
CD...$5.99 14.99
Storming work from the Belfast scene of the 60s – served up by a whole host of groups who were as inspired by American blues and soul as the mod scene down in London, but who serve up their music with a slightly different flair! Van Morrison's early group Them were at the center of the scene ... CD
Prestige/Big Beat (UK), 1964/1965. New Copy
CD...$7.99 14.99
The first two albums by The Holy Modal Rounders including the earliest of their early folk based material, with hints at the weirder sounds to come! The style here is playful, humorous and somehow kind of keeps some sinister strangeness in the shadows of their 60s take on traditional folk tunes ... CD

John Hammond

John Hammond
Vanguard/Ace (UK), 1964. New Copy
CD...$5.99 14.99
The fantastic first album from John Hammond Jr – a set that's maybe one of the purest distillations of the special sound he first unleashed on the world in the 60s! The album's got Hammond sitting on the front with an acoustic guitar, which is his main accompaniment on the record – but ... CD
Ace (UK), Late 1950s/Early 1960s. New Copy
The offbeat look of the guy on the cover is very fitting for the offbeat sound of this set – a really cool collection of rare and unusual singles that fall between the cracks of more familiar styles from the time – tunes that are very far from the charts and pop hits of the late ... CD
Westbound/Ace (UK), Early 70s. New Copy 2CD
Three full albums from heavy rocker Bob "Catfish" Hodge – a great underground talent on the Detroit scene of the late 60s and early 70s – and one who recorded for the same Westbound label as Funkadelic! Hodge shares a lot with some of the best Detroit talents of the time ... CD
Columbia/Ace (UK), Late 50s. New Copy
CD...$5.99 14.99
A treasure trove of rockabilly in an incredible collection – one that will completely change your mind about the role of the major labels in music! If you think that back in the day, the big boys only recorded mainstream pop and soundtrack albums, think again – because in the 50s and ... CD
Decca/Ace (UK), 1960s/Early 1970s. New Copy
CD...$5.99 14.99
Back when the young Rick Nelson first started singing, he just seemed like an overnight flash in the pan – a TV star who got the chance to get in the studio – yet over the years, Nelson continued to grow and mature as a singer – so that the later work here is surprisingly great, ... CD

Various

Rock All Night
Ram/Ace (UK), Late 1950s. New Copy
CD...$5.99 14.99
A great collection of late 50s rock and R&B – and one that features a number of unreleased titles too – all handled by early pop genius Buck Ram! Much of the work was issued on Ram's Antler label, and a few other cuts came out through him on Mercury – and these are mixed with ... CD
Challenge/Ace (UK), Late 50s/Early 60s. New Copy
CD...$7.99 14.99
A shot of tequila and a whole lot more – 30 smoking instrumentals from the legendary Champs – all of which represent the a and b-sides of their first 15 singles! The group's classic "Tequila" is a very familiar mix of raunchy sax, strutting guitar, and some slightly south of ... CD
 



⇑ Top