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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Genius early work from reedman Marion Brown – an album that was originally only issued overseas, where it was recorded – as part of that legacy that's always had Brown getting a lot more attention in Europe than back at home! Yet the record's a monster that stands equally with Marion's ... CD
A warm and wonderful set from French tenor genius Barney Wilen – perhaps one of his best of the past 20 years! The record features a stripped-down organ trio, which brings out some of the best tone we've heard from Wilen's horn in a long time. In a way, the record is vaguely similar to Stan ... CD
Eddie Higgins' piano work on Venus Records is already a pretty great proposition – but here it's augmented wonderfully by saxophone lines from Scott Hamilton and Ken Peplowski! The set's got a laidback, easygoing groove that's mighty nice – one that has Higgins' piano lines at the helm ... CD
Scott Hamilton blows some wonderfully smokey tenor here – sounding great in the company of Eddie Higgins' trio! The date's got a really old school tenor sort of sound – echoes of Ben Webster and Lester Young, but updated too – taken to the clear, mature territory of Higgins' ... CD
Beautiful blowing from the great Barney Wilen – an album that's as relaxed as you might guess from the image on the cover, but which has a rock-solid sound all the way through! At this point in his career, Barney's definitely back on top of his game – playing both tenor and soprano sax ... CD
Part of the late 90s rise to genius from pianist Eddie Higgins – a set of simple, lyrical beauty that really holds up well over the years – one of those classics that were cut away from the age of the classics – the sort of record that Eddie should have been making many decades ... CD
An album that's maybe not as modern as some of Paul Bley's other records – but one that's still got a compelling quality throughout! The session supposedly takes inspiration from Gregorian chants (somewhat big on the recording scene at the time of the 1994 date) – but the music is all ... CD
Later than classic vintage for the Passport group, but still very much in the best spirit of their classics – far-reaching fusion, all headed by creative reedmaster Klaus Doldinger! The set's got a relatively spacious feel – lots of long tracks, with plenty of soloing by the group ... CD
Beautiful sounds from the team of bassist Charlie Haden and percussionist Paul Motian – a record that draws on their earlier experiments on the ECM label, but delivers a sound with a lot more bite! The real difference here is pianist Geri Allen – whose presence in the group really ... CD
Features 10 tracks originally released as The Albert Nicholas Quintet featuring Barry Martyn, 2 bonus tracks, and 6 live acetate recordings recorded by Doug Dobell. CD