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We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
Masahiro Andoh on guitars, Takeshi Ito on alto sax, EWI, Hirotaka Izumi on acoustic piano & synesizers, Mitsuru Sutoch on basses, and Hiroyuki Noritake on drums & drum machine. CD
Full-on funky fusion from Terumasa Hino – one of his later sets recorded in the US, and done with a sparkling R&B-influenced approach! Terumasa's horn is still wonderfully soulful, even in the tighter arrangements – and in a way, the set proves that the initial changes being made ... CD
Full-on funky fusion from Terumasa Hino – one of his later sets recorded in the US, and done with a sparkling R&B-influenced approach! Terumasa's horn is still wonderfully soulful, even in the tighter arrangements – and in a way, the set proves that the initial changes being made ... CD
Way more than just a simple version of work from Porgy & Bess – and instead, a key collaboration between Miles Davis and Gil Evans – done with a sound that really transforms the tunes! True, the work here is all based on George Gershwin's original compositions – but through ... CD
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers ... CD
One of the best late records we've ever heard from this masterful French tenor player! The setting is Osaka, where Wilen plays magnificently with a stripped down group that features Laurent De Wilde on piano, Gilles Naturel on bass, and Peter Gritz on drums. Gone are the bright tones and bad ... CD
One of the best late records we've ever heard from this masterful French tenor player! The setting is Osaka, where Wilen plays magnificently with a stripped down group that features Laurent De Wilde on piano, Gilles Naturel on bass, and Peter Gritz on drums. Gone are the bright tones and bad ... CD
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an ... CD
Herbie's still in electro-grooving mode here – not groundbreaking as earlier records, but still handled by Bill Laswell, and with a tackhead groove pretty firmly in place. The tracks are a bit more complicated than before, with vocals by Sugarfoot, and bass by Bootsy Collins. Titles include ... CD