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For You
CD (Item 199681) ANS/Pharaway Sounds (Spain), 1979 — Condition: Used
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Beautiful Latin-styled jazz – not really New York or Cuban, but also not Brazilian either – and instead this really wonderful hybrid of sounds that's cooked up by guitarist Angelo Noce Santoro – a player with roots in psych and prog! This album's not any of that, though – and instead has this beautiful breezy vibe that reminds us of some of the best Brazilian fusion projects coming from German or Scandinavia in the 70s – or maybe like some of the best albums of artists like Jayme Marques or Agustin Pereyra Lucena! Santoro's definitely an artist at a level that unique – and his own guitar and bass blend wonderfully with a second acoustic guitar, drums, percussion, and some great jazzy flute – on titles that include "Arroz Cubano", "For You", "Theme From", "Raindance (part 1)", and "Tapajos". © 1996-2025, Dusty Groove, Inc.
Used CD Grade
We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially if it is release or packaging details, or an oddity that is the only wrong thing about the CD. This might include, but isn't limited to, scratches, tracks that skip, case/insert damage or wear, or strictly cosmetic flaws.
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