This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A record that's got maybe one of the worst covers ever for legendary altoist Lee Konitz – and that's saying a lot, given that he recorded hundreds of albums – but a set that's also well worth dipping into, as it's got some wonderful surprises along the way! First off, there's electric ... CD
From three sessions, includes the songs "Ezz-Thetic", "Prelude No 20", "Spinning Waltz", "Silly Samba", "I Remember You", "Handful Of Stars", "Thanks For The Memory", "Antropology", "Ask Me Now", and "Eas ... CD
Includes the songs "Kary's Trance", "Dearly Beloved", "The Song Is You", "Self Portrait In Blues", "Subconscious Lee", "The Way You Look Tonight", "Riffin'", "With Every Breath I Take", "Cherokee", and "Ba ... CD
Lee Konitz on alto – in various small group settings accompanied by Henri Renaud on piano, Jimmy Gourley on guitar, Percy Heath on bass, and others. 18 tracks total. CD
The title definitely gets it right – as this is the real sound of Lee Konitz – the kind of extra-special approach to alto sax that made Lee one of the true modern giants of the 50s, with an approach that nobody had ever heard before! The album captures Konitz at the height of his ... CD
A nice little session from Lee Konitz – simple, without many tricks, and a great 70s extension of the sound of his 50s work! The group's a quartet with Sal Mosca on piano – and on a number of tracks, the pair of them play together alone, Lee blowing introspectively, and Sal working in ... CD
A great straight set from the later years of Lee Konitz – one that has the altoist swinging wonderfully in the company of pianist Kenny Barron! There's a soulful undercurrent to the record that really shows Barron's hand in the sound of the session – that mature groove that Kenny ... CD
Lee Konitz on alto, soprano, and tenor sax – with John Scofield, Clark Terry, Gerry Mulligan, Toots Thielemans, Mark Feldman, and others – plus Sheila Jordan on vocals! CD
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers ... CD
Zoot Sims on tewnor saxophone, Gerry Wiggins and Henri Renaud on piano, Pierre Michelot and Don Bagley on bass, Kenny Clarke and Jean-Louis Viale on drums, Fdrank Rosolino on trombone, and Jimmy Gourley on guitar. CD