This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
One of the key moments from this legendary group of the 70s – a set that really helps redefine the fusion groove of the time – moving away from some of the more rockish modes that others borrowed from prog, using some of the Brazilian influences that Flora Purim brought to an earlier ... CD
Given that Chick Corea first got his start working in the New York Latin scene back in the 60s, the album's a bit of a return to his roots – even if the general theme here is Spanish, and not Afro-Cuban! The Corea Spanish Heart here is cast in some darker, more contemplative tones than more ... CD
Most likely our favorite album by John McLaughlin – and one that features him in a wonderfully spare setting – alongside John Surman on saxes, Brian Odges on bass, and Tony Oxley on drums. The playing has a free and loose quality that McLaughlin would later lose on some his more fusion- ... CD
With Count Basie, Benny Carter, Edmond Hall, Sidney Bechet, Albert Ammonsd, James P Johnson, Hot Lips Page, Sidney De Paris, Coleman Hawkins, Louis Armstrong, Lester Young, and Eddie Heywood. CD
Dewa Budjana on guitar, Saat Syah on flute, Tim Garland on tenor saxophone, Danny Markovitch on soprano saxophone, Tony Levin on bass, and Jack DeJohnette & Gary Husband on drums. CD
Tore Brunborg on tenor saxophone and piano, Eivind Aarset on guitar and electronics, Steinar Raknes on double bass, and Per Oddvar Johansen on drums and electronics. CD
A great look at a lost lineage of Turkish music – the mostly-cassette Uzelli label, initially started in Germany for Turkish workers on the continent – but an imprint who grew to have importance back in Istanbul as the years moved on! This set brings together some of the more ... CD