This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
A masterful early score from Angelo Lavagnino – a composer we know best for his westerns, but who really shines in this John Wayne film from the late 50s! There's a very dark quality to Lavagnino's music here – almost echoes of the peplum film mode that was rising to prominence in ... CD
A strange little record that features monologues by Richard Burton intertwined with orchestral passages by Richard Rodney Bennett – in a mode that captures the play-like quality of this Sidney Lumet film. Burton's spoken bits are no surprise, but nice – and Bennett's scoring is light, ... CD
A 70s soundtrack that hardly needs an introduction – given that its music and image were virtually ubiquitous at the time! The record's best known for John Williams' famous "da-da da-da" theme for the film – used in the titles, and whenever the big guy wanted to attack – ... CD
Includes tracks by Nam June Pak, Max Ritcher, Kay Starr, Lonnie Johnson, Boris Berman,and Brian Eno. With compositions by John Adams, Morton Feldman, Alfred Schnittke and more. CD
One of the strangest moments of success in the early years of Verve Records – and one of the label's few soundtracks too! The album's one that cleverly combines the core Verve jazz approach with some larger orchestrations by Adolph Deutsche – in a set of tunes based around the ... CD