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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A nice later set from the mighty burner, after he returned to the more bluesy organ based format from the more R&B and fusion inflected sets he'd released throughout the late 70s and early 80s. Though the rough edges are a bit more smoothed out on some of the numbers than we'd care for, the ... LP, Vinyl record album
Classic club jazz from Charles Earland – one of the best LPs from his late 70s, post-Hammond period – when he was really opening up and exploring the use of a variety of keyboards! The set was done in conjunction with Randy Muller – who arranged, produced, and wrote the tracks ... LP, Vinyl record album
After his run of funky organ records for Prestige in the early 70s, Charles took a similar route to Herbie and others, and picked up a host of electric keyboards for his spacey fusion records on Mercury. The core of Earland's groove here is the Arp, which he plays masterfully – running from ... LP, Vinyl record album
Eric Kloss' sessions for Prestige somehow always get overlooked – but do yourself a favor and don't pass this one by! The record's a crackling bit of modernist free play, with a very soulful edge – and the group includes Booker Ervin, Jaki Byard, Richard Davis, and Alan Dawson all ... LP, Vinyl record album
Killer work by Charles Earland – a back to basics set of grooving tunes that are cut in the best soul jazz mode of earlier years! Earland heads a great group that includes Jimmy Ponder on guitar, George Coleman on tenor, and Walter Perkins on drums – and the set swings high, wide, and ... LP, Vinyl record album
A beautiful album that more than lives up to its evocative title – an early session from John Coltrane, filled with long tracks that slide along brilliantly! As with many other classic Prestige albums from Trane, backing is by the trio of Red Garland piano, Paul Chambers bass, and Art Taylor ... LP, Vinyl record album
One of the greatest albums ever from organist Charles Earland – a double-length set that's filled with spiritual, soaring grooves! The style here is a perfect blend of the rougher soul jazz of Earland's roots with some of the spacier styles of his later recordings – served up in a ... LP, Vinyl record album
An early pairing of Miles Davis & John Coltrane – one of the duo's mid 50s classics for Prestige, as you might guess from the verb in the title! And although "Steamin" might be a word that's a bit too firey to describe the action going on here, the album's got a tremendous ... LP, Vinyl record album
A monster – and Charles Earland's second album for Prestige, the follow-up to his groundbreaking Black Talk album! This set's as great as that classic set – a tight batch of groovers that features Earland's Hammond work right out front, grooving away in a soaring, exploratory style ... LP, Vinyl record album
A classic early set from Jack McDuff – and a record that's very much in his own hands, despite the presence of Gene Ammons as a co-leader! The group's more of a McDuff one than an Ammons ensemble – and features the great Joe Dukes on drums, Eddie Diehl on guitar, and Harold Vick on ... LP, Vinyl record album
Excellent work from Johnny Hammond Smith – a record that really lives up to the "dirty" in the title! The approach here is a bit like some of Jimmy McGriff's recordings at the end of the 60s – organ soloist riffing around on some short hard tracks, with a bit of electric bass ... LP, Vinyl record album
An incredible album from Charles Earland – a real crossroads in his career, one in which his streamlined organ jazz sound of the early 70s takes a slightly more expansive turn – as on his albums of the mid 70s. The record has slightly larger groups than usual – with players that ... LP, Vinyl record album