This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Brilliant late work from Bill Evans – his last set of recordings from the Village Vanguard – recorded in the summer of 1980, nearly two decades after his first famous albums at the club! Evans here is a wealth of imagination – really stretching out in relaxed, fluid formation ... CD
One of Bill Evans' landmark sessions with the young bassist Scott LaFaro – a player who made key contributions on every record he touched, then left this earth far too soon in his career! The live session's a perfect demonstration of the way that the Evans trio format not only re-worked the ... CD
An incredible album from Bill Evans – and maybe THE record you need in your collection if you're trying to understand his contribution to jazz! The album's one of Evan's first sides from the Village Vanguard – and features the legendary trio that included Scott LaFaro on bass and Paul ... CD
One of the best albums that Al Cohn and Zoot Sims ever cut together – and that's saying a lot, given the strength of their collaborations during the 50s and 60s! The set's got a nice small group feeling, and is a bit more open and relaxed than some of their RCA material – still in the ... CD
Wonderful stuff! Ben Webster blows soulful late night ballads over strings – a perfect combination, and a wonderful idea that was first executed on two LPs in the 50s: Music For Loving and Music With Feeling, both of which are reissued here with some extra unreleased material! Backings are ... CD
Perhaps THE greatest Quincy Jones album of the 60s – a hard-swinging batch of big band bossa tunes – and one of the greatest American takes on the bossa sound ever! Quincy really brings a lot of soul to the set – syncopating the bottom end of the tunes to really bring out the ... CD
Charlie Haden on bass, Paul Motian on drums, and Paul Bley on piano – recorded live at the Montreal Jazz Festival. Tracks include "Ida Lupino", "Crossroads", "New Beginning", "So Far So Good", and "Turnaround/When Will The Blues Leave?". CD
A classic pairing of postwar trumpets – those of Dizzy Gillespie and Roy Eldridge, each given plenty of space to speak their piece here in the best Verve all-star tradition! The group's great too – with Herb Ellis on guitar, Oscar Peterson on piano, Ray Brown on bass, and Louis Bellson ... CD
Older tunes, redone beautifully by Buddy DeFranco – in a sweetly open-ended style that makes the album one of his best for Verve! The album was done in 2 different sessions – one with Ray Linn on trumpet, Jimmy Rowles on piano, and Barney Kessel on guitar – the other with George ... CD