This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Includes the songs "My Last Affair", "My Last Affair", "Jivin' The Vibes", "The Mood That I'm In", "Hampton Stomp", "Buzzin' Around With The Bee", "Whoa Babe", "Stompology", "On The Sunny Side Of The Street", ... CD
Lionel Hampton on vibraphone, Clark Terry on trumpet and flugelhorn, Harry "Sweets" Edison on trumpet, Al Grey on trombone, Buddy Tate and James Moody on tenor saxophone, Hank Jones on piano, Milt Hinton on double bass, and Grady Tate on drums. CD
A beautiful example of why the west coast scene was great when it was working at its finest – that perfect blend of group formation and individual identity that could make a record like this so great! Tenor player Jack Montrose cut a rare few albums in the 50s, but this one's a gem – ... CD
Early work by one of the greatest voices on the alto sax in the 1950s – a player who worked with the deftness of other altoists of his generation, but a depth of soul usually reserved for the tenor! The setting is simple and perfect – as Phil Woods blows at the helm of a quartet that ... CD
A tremendous little album from Sonny Rollins – one of his most sharp-edged sessions of the mid 60s, and a bold departure from some of his previous work for RCA! The album has a crackling sense of energy that more than lives up to the exclamation point in the title – a starker quality ... CD
Some of the best work ever from pianist Billy Taylor – and some of the earliest too! Taylor's 50s trio with Earl May and Percy Brice is augmented here by conga work by the great Candido – and this addition brings a lot of fire to the group, giving Taylor's normally safe style a harder ... CD
An excellent album from Max Roach – cut at a time when he was rising from the ashes, after the too-soon death of trumpeter Clifford Brown – and began working with really inventive younger players who would drive him into a whole new mode of righteous styles! That's definitely the case ... CD
A fantastic early recording from the great French tenor saxophonist Barney Wilen – best known as an artist who recorded famously in the soundtrack world of the French new wave, and with Art Blakey – but who's even more striking here on a rare small combo date from the 50s! The session's ... CD
A key later album from alto saxophonist Benny Carter – one that has him at the helm of a largeish group, but playing with a nicely focused sort of groove! In addition to Benny's alto, the record also features tenor sax from Charlie Rouse and Coleman Hawkins, plus one more alto from Phil ... CD