This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs.
These are the grades that we use and what they mean for items that are not new copies.
Used Vinyl Grades
These are the stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these are described in the item notes. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally,
all of our records are graded visually;
considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Sealed
This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Near Mint
Dusty Groove does not use the grades of Near Mint
(or Mint, for that matter) because in our experience, we find that no records
ever qualify for such a high grade. Even sealed records tend to have one or two
slight faults, enough to usually qualify them for a grade of NM- or lower. We've
often found that records which are clearly unplayed will have a slight amount of
surface noise, especially in quieter recordings.
Near Mint - (minus)
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Very Good
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Very Good - (minus)
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Good + (plus)
Vinyl may be dirty, or have one outstanding flaw,
such as a light residue, which could be difficult to clean.
May have marks on all parts, too many to qualify as Very Good-,
or several deeper marks, but the record should still be ok for play without skips.
In general, this is a record that was played a fair amount,
and handled without care. A typical example may be a record which has
been heavily played by a DJ, and carries marks from slip cueing.
Depending on the quality of the vinyl, may play with surface noise throughout.
Good
A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
Will have marks across all parts of the playing surface,
and will most likely play with surface noise throughout.
May have some other significant flaws, such as residue, or a track that skips.
In most cases, a poor quality copy of a very difficult to find record.
Fair
This is a grade we rarely use, as we try not to sell records
in very bad condition, though in some rare cases we will list a
record in such bad shape that it does not conform to our standards.
A "Fair" record will have enough marks or significant flaws that it
does not even qualify as "Good", but is a copy you might consider
for playing, if you're willing to put up with noise and/or flaws.
An example might be a recording with surface noise so heavy that
it is equal to the volume of the music. For records listed as "Fair",
we will describe the extent of the condition in the notes.
Poor
Like "Fair", we rarely list records in this condition,
as they represent the extreme low end of spectrum.
These records typically have multiple serious problems,
and we offer them as "relics" or "objects" only — for
those who want to at least have a copy of a record,
even if it is not really worthy of play, perhaps for the cover alone.
For these records, we will describe the extent of the condition in the notes.
Used CD Grade
We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Used Book Grade
We use the all-encompassing grade "Used Book" for all non-new books.
You can expect each volume to be clean and free of markings, tears or major defects unless mentioned in the notes just like we do with LPs and CDs. Used books may show some signs of handling or age. Specific issues with the condition like remainder marks, stickers, underlining, or other defects are described in the notes.
Used Grade
We use the all-encompassing grade "Used" for miscellaneous non-new items. Specific condition details
are described in the notes.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or pressing details,
or an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear, or strictly cosmetic flaws.
A funky little record, and one that comes from the surprising late life pairing of garage rock guitarist Billy Childish and Hammond hero James Taylor – both key figures on the UK scene for decades, coming together here in one mighty session of really raw grooves! The music is maybe in the ... LP, Vinyl record album
A contemporary classic from Adrian Younge – and his first full soul album, after some previous soundtrack material! The record's got all the fragile, lovestruck qualities you'd expect from the image on the cover – a real throwback to the glory days of indie soul, particularly the East ... LP, Vinyl record album
A killer album of funky keyboards – nice and lean, and with a style that's equal part funk and jazz – served up with lots of amazing clavinet lines in the lead! J-Zone is on the record handling drums, with a great influence from hip hop beats, but live energy that really makes the ... LP, Vinyl record album
It's a bit hard to believe that Setenta have been giving us grooves for almost 20 years – yet hearing the quality of the set, and the tightness of the music, that long legacy of work together really seems to come through! The album's got this fantastic mix of Latin inspirations and funky ... LP, Vinyl record album
A really majestic album from this mighty nice group – a set that references older space-themed albums from the postwar years, but which serves up the sound in the best style of the Ghost Funk Orchestra! There's cool use of NASA dialogue between some tracks – and rather than burst out ... LP, Vinyl record album
Adrian Younge & Ali Shaheed Muhammad with Ebo Taylor
Maybe one of the greatest albums in the long and storied career of Afro Funk pioneer Ebo Taylor – even though he was 88 years old when it was recorded! The set proves that true shining lights never grow dim – as the presence of Taylor here really seems to reinvigorate the purpose of ... LP, Vinyl record album
A sweet second album from this excellent group – one of a few key acts in the funk underground who are moving things strongly into the sweet soul spectrum – echoing the kind of kicked-back mellow work that made the New Jersey and Philly scenes so great back in the day, with a vibe that ... LP, Vinyl record album
Oscar Sholto Robertson is proving himself to be an amazing maestro in sound – maybe finding a way to live in a legacy of larger arrangements that lives up to past genius from artists like Charles Stepney and David Axelrod – as he blends a whole range of elements here into a majestic ... LP, Vinyl record album
Fantastic funk from one of the hippest combos currently working on the planet – the mighty Misha Panfilov Sound Combo, a group who effortlessly blend 70s-style funk with some sweet spacey sounds! The "astral" in the title here is very well-placed – as there's a slightly ... LP, Vinyl record album
A special sort of project from the great Misha Panfilov, but one that's very much in line with the psychedelic sound of his funky 45s – as the set here is all instrumental, and features tracks recorded by Misha for a stage performance! Yet this is hardly familiar soundtrack music – as ... LP, Vinyl record album
A wonderful unissued session from the final decade in the career of drummer Rashied Ali – a set that's got a bit more straight swing than some of his 70s material, but which still comes across with a really unique vibe overall! Ali's years of breaking past familiar rhythms are lingering at ... LP, Vinyl record album
Fantastic lost work from trumpeter Dusko Goykovich – recorded right around the same time that he was making such wonderful contributions to the Saba/MPS label in the late 60s! Dusko was easily one of the hippest, and most original trumpeters to emerge from the European scene in the 60s ... LP, Vinyl record album