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We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of ... CD
Dark genius from the always-amazing Miles Davis Quintet of the 60s – a set that's a bit more subtle than some of the group's other efforts, but no less powerful – and virtually a blueprint for countless changes to come in jazz during the next few decades! The interplay of Davis' ... CD
A classic set of spiritual fusion from this short-lived allstar group Compost – featuring Harold Vick, Bob Moses, Jumma Santos, and Jack DeJohnette! Vick's at his moody soulful best here, in a mode that's similar to his Strata East work – and the record also features occasional vocals ... CD
Players include Branford on soprano and tenor, Kenny Kirkland on piano, Charnett Moffett on bass, and Jeff Tain Watts on drums – and titles include "Black Codes", "For Week Folks", "Chambers Of Tain", "Aural Oasis", and "Delfeayo's Dilemma". CD
Louis takes on Fats Waller, with wonderful results! The group features vocals by Armstrong and Velma Middleton – plus work by Trummy Young on trombone and Barney Bigard on clarinet. CD includes 7 non-LP bonus tracks plus 4 more altenate takes – almost doubling the size of the original ... CD
A massive set of fusion from Mahavishnu Orchestra – a group that features some incredible guitar work from John McLaughlin, who sounds even more focused and driven here than on his own records! As with Return To Forever or Weather Report, the combo's a supergroup of sorts – with Billy ... CD
The first in Wynton Marsalis' excellent Soul Gestures trilogy – a set that features some especially nice work from Joe Henderson on tenor sax! The set was recorded at a time when Henderson was really coming back into his own – and the long, extended tracks on the record really let Joe ... CD
Rare funky fusion from Compost! This excellent session by the short-lived group is also definitely up there on the list of stellar fusiony sets that have been too long overlooked. Many of the tracks have a nice hard angular sound to them, with a fusion break sound similar to some of the European ... CD
Killer electric piano work from the mighty Mike Longo – recorded at a time when he was definitely at the height of his powers! The album sports a rare Mainstream Records appearance from James Moody – who was a frequent partner of Longos on sessions at the time – particularly on ... CD
Lost lyrical sounds from Morris Nanton – a player who only recorded a handful of albums, all of them great! Nanton's an unusual player – in that at one level, he's got this heavy left-hand style that's almost in a soul jazz mode – but also still manages some of the lighter, more ... CD