This image is a general representation of the album cover, but the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. If the item offered is a used, second-hand item, please note that there may be some cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A percussion-heavy batch of tracks that has Pete Rugolo starting from a mode explored heavily in the hi-fi years, but taking the genre into much jazzier territory! With the help of a large group of west coast players – including Don Fagerquist, Larry Bunker, Herbie Harper, Frank Rosolini, ... LP, Vinyl record album
Titles include "Legend Of The One-Eyed Sailor", "Lullaby For Nancy Carol", "El Gato Triste", "Land Of Make Believe", and "As Long As We're Together". Features vocals by Esther Satterfield! LP, Vinyl record album
Mighty soulful business from the great Jimmy Smith – a set for Mercury Records that updates his sound slightly, yet also hits some classic Hammond lines too! Jimmy plays a bit of acoustic piano and keyboards in addition to his classic organ – and works here in a setting that's tightly ... LP, Vinyl record album
Mid 50s magic from vibist Terry Gibbs – one of his hard to find Mercury sets, a big-ish band date that has Gibbs at the helm of a smallish orchestra with lots of nice horn work to support his solos in the lead! The style's never too overbearing to drown out Terry's rich chromatic tones ... LP, Vinyl record album
An early collaboration between Count Basie and Norman Granz – and a real cooker too! Granz shows some great foresight here – grabbing Basie at a time when his group was just getting its groove back, and really learning how to hit a more modern sound! The set includes some great tenor ... LP, Vinyl record album
A great modern jazz-meets-strings session that follows from Burns' exploratory "Introspection" title for the Jazz Scene collection! Ralph pens some inventive charts that utilize a 15 piece chamber orchestra as backdrops for his own bold lines on piano, as well as some key solo bits from ... LP, Vinyl record album
An excellent album from Brother Jack – one that has him making a shift from organ to electric keyboards, but in a mode that loses none of his funkiness, none of his soul, and none of his wit! The album's got some wonderfully angular groovers – showing that McDuff was always growing his ... LP, Vinyl record album
A great laidback set that shows trumpeter Taft Jordan in a completely different setting than the Ellington group – working here in a small combo with Kenny Burrell on guitar, Richard Wyands on piano, Joe Benjamin on bass, and Charlie Persip on drums. Tracks are shortish, but open and easy-goi ... LP, Vinyl record album
Gutsy tenor work from Jimmy Forrest – a player who was poised to rival Sonny Stitt and Gene Ammons at the start of the 60s, and who could have easily done so, given the strength of his work for Prestige! The record's one of a few that the St Louis player got to cut for the label – and ... LP, Vinyl record album
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the ... LP, Vinyl record album