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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Lockjaw and Griff were a mighty team together – and their records from the 60s cook with incredible intensity. This great set brings together 2 albums – The Tenor Scene and The Midnight Show – both recorded at Minton's Playhouse in Harlem, on January 6, 1961. The group's ... LP, Vinyl record album
Classic tenors head-to-head – as Griff & Lock lay out one of their excellent 2 tenor classics from the early 60s! The rhythm section's deeply soulful – with Junior Mance on piano, Larry Gales on bass, and Ben Riley on drums – and the album grooves through some long blowers, a ... LP, Vinyl record album
A nice little set from Shirley, made up of organ trio readings of Ellington standards. Maybe not the kind of thing you went nuts for on your last digging excursion, but a more than solid set of Sunday morning numbers that Scott and company, George Tucker and Mack Simpkins in this case, handle with ... LP, Vinyl record album
A wonderfully-named session – as Charles Earland plays here with an intensity that's undeniable! The album marks a key shift for Earland – one away from the more standard soul jazz mode, into a realm of looser, freer rhythms that really take off from the start – knowing no end on ... LP, Vinyl record album
Another one of Freddie's tight soul vibes records for Prestige, with a lot of good cuts that have a rollin' soul instrumental sound to them, and a band that includes Wilbur Bascomb on trumpet, Wally Richardson on organ (?), and Joanne Brackeen on piano. The title cut's the standout track on here, ... LP, Vinyl record album
Gator Tail and Brother Jack crack it long and lean, with lots of hard soul jazz tracks that have the both of them wailing on their respective instruments. There's some nice originals here, including "Gil's Pills", "Snake Crawl", and "Backtrack". The set also includes ... LP, Vinyl record album
A mid 50s LP that compiles two different Monk sessions from the early 50s – both of which were originally issued as eps. The first set features trio recordings with Art Blakey or Max Roach on drums and Gary Mapp on bass – on versions of "Trinkle Tinkle", "Monk's ... LP, Vinyl record album
Sublime early Getz all the way through – material that shows why even right out of the gate, Stan's sound on the tenor was one to be reckoned with! Side one features a quartet with Al Haig on piano, Tommy Potter on bass, and Roy Haynes on drums – all giving Stan plenty of room to ... LP, Vinyl record album
Killer live work from Jug – recorded during the early 60s in Chicago, with just an organ-based trio, and very much in the feeling of the best small-group lounge jazz shows of the day! The material is issued here in a 1967 version, its first release – but the grooves were recorded at ... LP, Vinyl record album
During the early 60s, the team of Eddie Lockjaw Davis and Johnny Griffin was one of the most exciting unions in jazz. The two tenorists came from two different camps – Davis, the gutsy R&B soloist, Griffin, the hardbop powerhouse with a flair for the modern. Their pairing was an ... LP, Vinyl record album
Moody bit of electric stuff recorded by Eric Kloss with the Miles' (then) rhythm section of Chick Corea, Dave Holland, and Jack DeJohnette. The groove is very open ended, as you'd expect from these guys at the time, but Kloss is right in the pocket with his sharp solos on alto and tenor. Tracks ... LP, Vinyl record album
Great work from our favorite period in Willis Jackson's career – really hard-burning material that helped set a new standard for the organ/tenor sound in soul jazz! The combo here is one of Jackson's best – with Carl Wilson on organ and Pat Martino (billed as Azzara) on guitar, really ... LP, Vinyl record album