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We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
A young Jackie McLean at the height of his powers – really stretching out here, but never going too far out – a perfect balance between his modern bop of previous records, and his groundbreaking "new thing" jazz to come! The group is a relatively straight ahead one – ... CD
A modernist classic from 60s Blue Note! The album's one of Jackie McLean's greatest from the time – and one of his seminal "new thing" sessions cut with young modernists Grachan Moncur III on trombone and Bobby Hutcherson on vibes – both young players who were really finding ... CD
One of Jackie McLean's last "new thing" albums for Blue Note – and a very unique record that features Ornette Coleman on trumpet! The sound here is stark and hard – slight hints of the soulfulness that the "gospel" in the title might imply, mixed with the angular ... CD
It certainly was time – time for Jackie McLean to break out of his older bop mode, and hit a whole new level of playing with a tight group of "new thing" compatriots like Herbie Hancock on piano, Cecil McBee on bass, and Charles Tolliver on trumpet! The record isn't as totally ... CD
Early genius from Jackie McLean – arguably his best pre-Blue Note album, and a sinister batch of hardbop tracks recorded with a great group that includes Donald Byrd on trumpet and Elmo Hope on piano! The tracks are long, with a bit of the "blowing session" feel of other Prestige ... CD
A crackling date from Jackie McLean – a set that's got a more expansive feel than some of his earlier Blue Note work – filled with fire, far from the 50s – and really pointing the way towards his new directions to come! There's a hint of modernism in the mix, mostly on the tone ... CD
A young Jackie McLean at the height of his powers – really stretching out here, but never going too far out – a perfect balance between his modern bop of previous records, and his groundbreaking "new thing" jazz to come! The group is a relatively straight ahead one – ... CD
A modernist classic from 60s Blue Note! The album's one of Jackie McLean's greatest from the time – and one of his seminal "new thing" sessions cut with young modernists Grachan Moncur III on trombone and Bobby Hutcherson on vibes – both young players who were really finding ... CD
Stunning! This is one of Jackie McLean's best-ever albums, and it's a haunting mix of hard bop and some of the more modernist tendencies that would inform his "new thing" period. Butch Warren plays bass, and he drives the set with an intensity that reminds us of Mingus – and which ... CD
A jazz classic if there ever was one – and the best-selling album ever by Lee Morgan, thanks to the use of the title track in a car commercial! Sure, you've probably heard "The Sidewinder" enough that you think you know the album already – but the rest of the tunes really ... CD
Amazing later work from Booker Ervin – far more modern and far-reaching than you'd guess from the "Texas" title in the set! Although Ervin first came onto the scene as a strong-voiced tenorist from a Texas tradition, through the course of the 60s he'd really expanded his musical ... CD
Some of the funkiest work on guitar ever recorded – and a great overview of the legendary sessions that Grant Green recorded for Blue Note in the late 60s and early 70s! Years back, the label used to disown these sessions – claiming they were more commercial and lower-quality than ... CD