A seminal jazz funk session of the 70s – Herbie Hancock's legendary meeting with The Headhunters, and a killer batch of tunes that really gave the combo their name! Herbie's playing a wide range of keys here – including Fender Rhodes, clavinet, and Arp – but almost even better is the work from the rest of the group – including Bennie Maupin on soprano and tenor sax, Paul Jackson on bass, Harvey Mason on drums, and Bill Summers on percussion! The earthier elements of the rhythm players really keep Herbie on track – bringing him back to the planet from previous trips into space, and helping him hit an all-solid, all-righteous funky groove! Titles include a great remake of "Watermelon Man", the classic original recording of "Chameleon", and the cuts "Vein Melter" and "Sly" – all nice and long! (Original pressing. Cover has some wear.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.