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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An odd little album in which Sly's classic funky tunes are remixed and extended by John Luongo – ostensibly for play on the dancefloors of the late 70s. Unlike recent remix projects, this one keeps most of the original song intact, and the real changes are in added rhythmic elements – ... LP, Vinyl record album
Killer work from Sly & The Family Stone – hard-grooving, fast-funking, and really setting the scene for countless groups to come! The album's a messed-up funky party, with plenty of short little tracks that have a mix of funk, soul, and rock – perfect for the crossover crowd from ... LP, Vinyl record album
Almost a "greatest hits" of greatest hits albums – one of those collections that almost sold more copies than all the full albums by the artist – forever earning Sly & The Family Stone a place in record collections around the globe! All the hits are here, laid out back to ... LP, Vinyl record album
One of a number of later comeback sides from older bluesman Ivory Joe Hunter – recorded with arrangements from Charlie Chalmers and Sandra Rhodes, with backing by a small combo that includes keyboards from Isaac Hayes, who gives Joe a big endorsement on the back cover! The style here is a ... LP, Vinyl record album
A stone classic in the genre of bad-rapping female soul – and one of the key albums cut by the trio of Patti Labelle, Nona Hendryx, and Sarah Dash! The arrangements and production are handled by David Rubinson, who gives the set a nicely polished feel that gets a bit past some of the slight ... LP, Vinyl record album
The voice of Lou Rawls is wonderful in so many different settings – in early gospel work with the Pilgrim Travelers, in 60s soul with HB Barnum and David Axelrod, and even hitting a Philly groove in the late 70s! Here, Lou takes on a whole new sound – working with more of an 80s soul ... LP, Vinyl record album
Lead vocals by Freddy Boy, keyboards by Keecho – and production by both! Titles include "Up Down", "Ready For Love", "So Fine", "One & Only", "Deja Vu", and "Don't Try To Read My Mind". LP, Vinyl record album
A great re-launch for the sound of Natalie Cole in the 80s – an album that represents a shift from Capitol Records to Epic, but which also still features work from Cole's best collaborators – the soulful team of Chuck Jackson and Marvin Yancy! The Chicago duo help out on most of the ... LP, Vinyl record album