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Compact Jazz – The Sampler
CD (Item 194165) Verve, 1950s/1960s/1970s — Condition: Used
We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
A great little blowing session for Verve – one that has Dizzy Gillespie working here with two different "Sonnys" – Sonny Stitt and Sonny Rollins, both of whom play tenor on the set! The tracks here are all quite long and open – more loose vehicles for extended soloing ... CD
Cole Porter's tunes are great enough on their own, but Oscar really opens them up on this set – picking up the inherent rhythms in the numbers and really working them over – in a way that makes the outing one of the most lively in Peterson's songbook series for Verve! Oscar's fluid ... CD
One of the greatest albums ever recorded by Lee Konitz – a sublime 50s treasure we've loved for years! The session's the most perfect realization of the compacted angular cool style that he was reaching for in the 50s – and each note is crafted with a precision and intensity that you'll ... CD
Chet Baker serves up a tribute to Billie Holiday, but in a set that's very different than you might expect – very much a Chet Baker album overall, and one that's done at a time when Chet was doing a lot less vocalizing on record! Arrangements are by Jimmy Mundy, but the group's somewhat lean ... CD
Wonderful lost work from Chet Baker! Chet recorded these sides during visits to Paris in 1955 and 1956, and they feature some of his best work from the mid 50s. Most of the material is in quartet format, and two of the tracks on the CD have Chet working with the legendary pianist Richard Twardzik ... CD
A landmark meeting of two talents! This rare session has the poet Langston Hughes reading his own jazz-based work, set to arrangements by Charles Mingus, with additional work by Horace Parlan. Hughes' voice is incredible – a bit frail, with a wispy integrity that really opens up his own ... CD
A really special set of late work from Coleman Hawkins – shorter numbers, but played with plenty of flair with a small combo that also includes Oscar Peterson on piano, Ray Brown on bass, Herb Ellis on guitar, and Alvin Stoller on drums! CD
Includes the songs "There's A Small Hotel", "Oh, You Crazy Moon", "Dinah", "These Foolish Things", "How Deep Is The Ocean?", "How About You?", "There Is No Greater Love", "I'll Remember April", "You're Mine, You!&qu ... CD
A great CD that brings together some of Stan's earliest sides as a leader – recorded for Roost Records in the early 50s, and issued as 10" LPs, both of which are pictured here on either side of the cover! Players include Jimmy Raney on guitar and Horace Silver on piano – and the ... CD
One of the slickest of Dave Matthews' funk records from the 70s – but still pretty darn nice! Matthews was the mainman behind the legendary funk group The Grodeck Whipperjenny, and a key arranger in James Brown's sound of the Polydor years – but by this time, he moved into smoother ... CD