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Compact Jazz – The Sampler
CD (Item 194165) Verve, 1950s/1960s/1970s — Condition: Used
We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
A lost late session by Stan Getz – and one of his greatest recordings of the 80s! The album's got the simple elegance of some of his best Verve work – with a group that features Stan on tenor, Kenny Barron on piano, George Mraz on bass, and Victor Lewis on drums. The combination of ... CD
Chet Baker serves up a tribute to Billie Holiday, but in a set that's very different than you might expect – very much a Chet Baker album overall, and one that's done at a time when Chet was doing a lot less vocalizing on record! Arrangements are by Jimmy Mundy, but the group's somewhat lean ... CD
Wonderful lost work from Chet Baker! Chet recorded these sides during visits to Paris in 1955 and 1956, and they feature some of his best work from the mid 50s. Most of the material is in quartet format, and two of the tracks on the CD have Chet working with the legendary pianist Richard Twardzik ... CD
A landmark meeting of two talents! This rare session has the poet Langston Hughes reading his own jazz-based work, set to arrangements by Charles Mingus, with additional work by Horace Parlan. Hughes' voice is incredible – a bit frail, with a wispy integrity that really opens up his own ... CD
A really special set of late work from Coleman Hawkins – shorter numbers, but played with plenty of flair with a small combo that also includes Oscar Peterson on piano, Ray Brown on bass, Herb Ellis on guitar, and Alvin Stoller on drums! CD
Includes the songs "There's A Small Hotel", "Oh, You Crazy Moon", "Dinah", "These Foolish Things", "How Deep Is The Ocean?", "How About You?", "There Is No Greater Love", "I'll Remember April", "You're Mine, You!&qu ... CD
A key early album from reedman Roland Kirk – at set that really has him strongly finding his voice in jazz, and transforming most of modern music in the process! The set's a perfect illustration of the way that Roland could swing with soul, yet still reach out with bold new ideas too – ... CD
A classic live date from Satchmo – and expanded to include the complete performances on that legendary night at Boston's Symphony Hall – for the first time ever! Recorded in November of 1947 and originally released in '51, it's never before been issued with both the first and second ... CD
An incredibly haunting session that has Stan's edgey alto fronting some of Russ Garcia's arch-modernist string arrangements – similar to those that he contributed to other Verve albums of the same style. Getz maintains a wonderfully breathy tone that floats above the orchestrations, and the ... CD
Killer electric piano work from the mighty Mike Longo – recorded at a time when he was definitely at the height of his powers! The album sports a rare Mainstream Records appearance from James Moody – who was a frequent partner of Longos on sessions at the time – particularly on ... CD
Lost lyrical sounds from Morris Nanton – a player who only recorded a handful of albums, all of them great! Nanton's an unusual player – in that at one level, he's got this heavy left-hand style that's almost in a soul jazz mode – but also still manages some of the lighter, more ... CD