Sun Ra : Lights On A Satellite – Live At The Left Bank (2024 Black Friday Release) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Lights On A Satellite – Live At The Left Bank (2024 Black Friday Release)

LP (Item 193569) Resonance, 1978 — Condition: New Copy
2LP Gatefold
List Price: 49.99
A never-issued live performance by Sun Ra and the Arkestra – and one that easily sits right up there with some of their best records of the 70s! The extended set offers a great chance to hear the way the Arkestra could effortlessly skirt inside and outside moments when they were at their best – referencing a history of jazz to find their place within, while also expressing themselves with an individuality and clarity that's stunning! The set begins with Ra playing some cool spacey keyboards, then moves through some fantastic original material and mindblowing reworkings of chapters from the American songbook – with a lineup that features June Tyson on vocals, John Gilmore on tenor, Marshall Allen and Danny Dixon on alto and flutes, Danny Ray Thompson on baritone, Walter Miller and Michael Ray on trumpets, Eloe Omoe on alto and bass clarinet, Damon Choice on vibes, and a young Craig Harris on trombone. James Jacson plays the very cool ancient infinity drum – and titles include "Left Bank Blues", "Images In A Mirror", "Round Midnight", "Watusi", "Tapestry From An Asteroid", "Thunder Of Drums", "Big John's Special", "Lady Bird/Half Nelson", and "A Pleasant Place In The Sun".  © 1996-2025, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.

Used Grade

We only use the grade "Used" for non-new items.


You might be interested


Modern Harmonic, Late 1980s. New Copy
Sun Ra and the Arkestra famously recorded a song on a Disney tribute album in the late 80s – and this set follows up on that famous moment by showcasing a whole bunch of other songs from World Of Walt – all done by the Arkestra in a range of wild versions! At some level, the songs are ... LP, Vinyl record album
Saturn/Cosmic Myth, 1966. New Copy 2LP Gatefold (reissue)
One of the rarest Sun Ra albums ever – and one of the most enigmatic, too! Strange Strings is a very unique session recorded with an otherworldly sound – heavily steeped in the use of "electronic strings", amplified string instruments recorded with crazy echo and other ... LP, Vinyl record album
Modern Harmonic, 1984. New Copy
One of the most unique Sun Ra performances ever recorded – a live date recorded in Atlanta on New Years Eve, 1984 – and one that has the keyboard giant playing a massive pipe organ that was so big, it had its own name! As you might imagine from his work on piano and other more unusual ... LP, Vinyl record album
BYG/Culture Factory, 1966. New Copy 2LP Gatefold (reissue)
A beautiful performance from modern piano genius Cecil Taylor – one that was not circulated at the time of its mid-60s recording, but which stands as a crucial document of the shifting sound of Taylor's work at the time! The extended performance might come as some surprise to those who only ... LP, Vinyl record album
Resonance, Mid 1980s. New Copy 3LP Gatefold
Guitarist Emily Remler left our planet all too soon – and during her short career, she was a very beloved player to many jazz fans – working with a sense of phrasing that's maybe captured best in this fantastic set of unreleased live performances from the 80s! Remler plays a hollow-body ... LP, Vinyl record album
Columbia/Music On Vinyl (Netherlands), 1978. New Copy (reissue)
A wicked bit of jazz funk from reedman Benny Golson – very different than most of his work from other decades, which was always relatively straight – and a great reminder that Benny could be pretty darn versatile when he wanted to! The real strength of the set is the arrangements ... LP, Vinyl record album
Strut (UK), 1986. New Copy 2LP
Some of the most unusual Sun Ra material of the 80s – a series of performances done with the Outer Space Visual Communicator – a unique instrument that mixed light and music together, and created a very trippy experience for both the Arkestra and the audience! Most of these tracks have ... LP, Vinyl record album

Sun Ra

Lanquidity
Philly Jazz/Strut (UK), 1978. New Copy (reissue)
An amazing album from Sun Ra – a set that's got some of the same soulful focus as Space Is The Place, and a really surprising sense of groove on many moments! The record's actually a bit funky – if you can believe it – and was recorded with electric keyboards, bass, and guitar ... LP, Vinyl record album
Blue Thumb, 1973. New Copy (reissue)
A brilliant record by Sun Ra & The Arkestra – and an album that forever gave them a slogan to live by! The record's different than some of the other Arkestra work from the time – in that it's a bit tighter and more spiritual, more in keeping with the style of the Blue Thumb label, ... LP, Vinyl record album
Columbia, 1959. New Copy (reissue)
Easily the crowning moment of genius for the legendary Dave Brubeck Quartet – the moment when all things came together magically, and the group somehow elevated themselves to a whole new level in jazz! At the time of the set, Brubeck, Paul Desmond, and the rest had already been making plenty ... LP, Vinyl record album
Columbia, 1959. New Copy (reissue)
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, ... LP, Vinyl record album
Audio Fidelity/Culture Factory, Early 1960s. New Copy (reissue)
Wonderful lost work from the great Benny Golson – and some of the hippest jazz you can find in a large format group! Golson's at his modernist best here, and he's leading a tentet that includes Eric Dolphy on alto, Wayne Shorter on tenor, Grachan Moncur on trombone, Freddie Hubbard on ... LP, Vinyl record album
 



⇑ Top