This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
A great follow-up to the group's first hit LP on Sussex – not nearly as successful chart-wise, but a great display of their unique approach to group soul. The band's a quintet at this point, and their vocals are arranged by Skip Scarborough with that sweet compressed style that he was ... CD
Gypsy Lane were produced here by Jacques Morali, of Village People fame – but don't hold that against them, as the set's got a deeper vibe than you might expect! The group seem pretty tight on their own already – and work more as a tight ensemble funk group than the kind of disco ... CD
OV Wright at the end of the 70s – working live in front of a very enthusiastic Japanese crowd, and in a groove that's right up their with his best work from earlier in the decade! In fact, there's a rawness here that you won't always find on Wright's other records – great live backing ... CD
Wonderful work from our favorite stretch of music from the legendary Gene Chandler – an artist who started out on Vee Jay Records, but really hit his prime here at Brunswick! Chandler was a key singer in the early years of soul – and some of his first recordings had strong appeal to ... CD
One of a handful of enigmatic albums cut in the early 70s by Sixto Rodriguez – a Latin-tinged singer with a style that's a bit like that of Jose Feliciano, but trippier, and with more rock and folk touches! This set's probably his best one – thanks to arrangements and production by ... CD
A classic deep soul set from Eloise Laws – an early album recorded for Invictus Records, and done with stellar production from Brian Holland! The title cut's a monster, one of the best tracks on the label from the 70s – with some wonderfully spacey keyboards, funky drums and bass ... CD
An obscure album cut by Jimmy Briscoe & The Beavers – the group who cracked the harmony soul charts briefly when they were just little kids, and who still sound pretty great here, after hitting puberty! The record was cut for the Wanderick subsidiary of TK – and there's a bit of an ... CD
A tight bit of dancefloor funk from the duo of Frank and Eddie Dillard – one on guitar, one on bass, and both on vocals – both working here with some great clubby production from Walter Murphy! The set's got a bit more edge than Murphy's own records – thanks to the emphasis on ... CD
An excellent collection of work by The Isley Brothers – featuring some of our favorite smooth funky tracks from the 70s by the group! The set's a nice one because it includes a lot of good tracks that are on albums that aren't that great all the way through, so you get a good album of all ... CD
Never-heard work by Ray Charles – a surprisingly great batch of tracks presented here for the first time – most recorded in the 80s, with work from the 70s and early 90s too! There's a nicely unified feel to the record – Ray's strong vocals really holding things together, and an ... CD