This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
This one will confuse the discographers out there – but it's great Blue Note material by this legendary hardbop pianist! The CD reissues a previous Japanese-only set of unreleased material – called Sonny Clark Quintets – but some of the tracks have since come out on other CDs. 2 ... CD
One of the most classic Blue Note sessions ever – and for good reason too! From the cover, to the title, to the hardbopping grooves of the set, this Sonny Clark late 50s smoker is one of the label's best – as pianist Clark is working here at the height of his powers – leading an ... CD
One of the best Stanley Turrentine albums ever! This hard-wailing set is from the early days of Stan's time at Blue Note – and like his best early sides for that label, this one has him blowing with an edgey tone that rarely ever surfaced in his later, sweeter recordings. Stan's got a sound ... CD
A killer from trumpeter Booker Little – one of the last few records that Book cut before his early death, and one of his only ones as a leader! The album features an excellent soulbop quintet with Wynton Kelly and Tommy Flanagan on piano, Scott LaFaro on bass, and Roy Haynes on drums – ... CD
Great work from one of the hippest jazz contemporaries of the late 60s – trumpeter Kenny Dorham, a player who was really coming into his own by the time of this album! The record has Kenny with a nice sort of edge – not as boldly experimental as his 60s work for Blue Note, but ... CD
One of the best albums you could ever find from trombonist Bennie Green – a great date that's right up there with his Blue Note albums of the late 50s! The album's a very slamming session of hardbop – with a crack lineup that includes Sonny Clark on piano, George Tucker on bass, and Al ... CD
One of the best Stanley Turrentine albums ever! This hard-wailing set is from the early days of Stan's time at Blue Note – and like his best early sides for that label, this one has him blowing with an edgey tone that rarely ever surfaced in his later, sweeter recordings. Stan's got a sound ... CD
An unreleased 70s session from keyboardist Andy LaVerne – and a set that features a mighty hip assemblage of musicians! Stan Getz is on two of the album's tracks – soaring out in a way that's maybe more in his Captain Marvel mode, than some of his straighter work that was emerging at ... CD