Juggaknots : Re:Release – Clear Blue Skies (with bonus tracks) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Re:Release – Clear Blue Skies (with bonus tracks)

LP (Item 190589) Coalmine, 1996/2003 — Condition: New Copy
2LP Gatefold (reissue)
List Price: 34.99
A nicely expanded version of the great debut of The Juggaknots – one that adds in lots of bonus material to the original track list, and lets the group get reborn in a way to go head to head with all the sprawling triple-length projects of the early 2000s scene! The production work is great – very much inherited from a Native Tongues legacy, but given a special spin by the trio – who may well be one of the few brother acts in hip hop – a vibe that resonates strongly with mid 90s New York elements, but uses a nice current of wit to modulate some of the harder elements. Titles include "Romper Room", "Watch Ya Head (rmx)", "Trouble Man", "Jive Talk", "Loosifa", "Come Along", "Luvamaxin", "Clear Blue Skies", "Projections", "Sex Type Thang", "You Gotta Do One Of These Songs", "I'm Gonna Kill You", and "Up At Stretch & Bob". Features four bonus remixes too!  © 1996-2024, Dusty Groove, Inc.
(Includes a panel insert with lyric sheet.)

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Jive/Get On Down, 1995. New Copy 2LP Gatefold (reissue)
A great second set from Souls Of Mischief – maybe not as grabbed up as their debut, yet still an essential building block in the Heiroglyphics mythology! The set's especially fresh in a world of west coast hip hop – more down to earth, honest, and with a wit that so many of their ... LP, Vinyl record album
Jive/Get On Down, 1995. New Copy 2LP Gatefold (reissue)
A great second set from Souls Of Mischief – maybe not as grabbed up as their debut, yet still an essential building block in the Heiroglyphics mythology! The set's especially fresh in a world of west coast hip hop – more down to earth, honest, and with a wit that so many of their ... LP, Vinyl record album
Loud/Get On Down, 1999. New Copy 2LP Gatefold (reissue)
The second solo album by The Chef – a record that had hard time finding space outside the massive shadow of his first solo landmark Only Built 4 Cuban Linx – and like other Wu Tang solo albums of the era, there's a number of gems on here that really never had a chance to get over a bar ... LP, Vinyl record album
Loud/Get On Down, 1999. New Copy 2LP Gatefold (reissue)
The second solo album by The Chef – a record that had hard time finding space outside the massive shadow of his first solo landmark Only Built 4 Cuban Linx – and like other Wu Tang solo albums of the era, there's a number of gems on here that really never had a chance to get over a bar ... LP, Vinyl record album

MC Money & Gangsta Gold

Da Hard Ov Frayser (red vinyl pressing)
Now Again, 1995. New Copy
A record that seems to bring a whole new level to hardcore – one that circulated only as an underground tape on the Memphis scene back in the 90s – far from the bigger studios on the west coast, where that scene was polishing up its ghetto gold for the charts, as the southern up-and-come ... LP, Vinyl record album
Warner/Get On Down, 1989. New Copy 2LP Gatefold (reissue)
A real moment of glory from the Native Tongues scene – the second smoking set from The Jungle Brothers, delivered to the record racks at a time when it seemed like their side of the hip hop spectrum was poised to take over the world! In truth, the record was slightly overlooked by the ... LP, Vinyl record album
Warner/Get On Down, 1989. New Copy 2LP Gatefold (reissue)
A real moment of glory from the Native Tongues scene – the second smoking set from The Jungle Brothers, delivered to the record racks at a time when it seemed like their side of the hip hop spectrum was poised to take over the world! In truth, the record was slightly overlooked by the ... LP, Vinyl record album

Prodigy (of Mobb Deep)

Return Of The Mac
Koch/Get On Down, 2007. New Copy Gatefold (reissue)
An almost-accidental classic by Prodigy – a great solo project after the split of Mobb Deep, and a set that was originally intended to just circulate as a mixtape – but which got issued properly based on the quality of the tracks! Alchemist is a key partner here – and the tracks ... LP, Vinyl record album

Prodigy (of Mobb Deep)

Return Of The Mac
Koch/Get On Down, 2007. New Copy Gatefold (reissue)
An almost-accidental classic by Prodigy – a great solo project after the split of Mobb Deep, and a set that was originally intended to just circulate as a mixtape – but which got issued properly based on the quality of the tracks! Alchemist is a key partner here – and the tracks ... LP, Vinyl record album
Now Again, 1994. New Copy
A rare gem from the Memphis hip hop scene in the 90s – a set that was originally only circulated on cassette, at a time before the city would rise in rap music fame – and one that may well be one of the most low-fi hip hop albums we've ever heard! Some tracks are incredibly spare ... LP, Vinyl record album

Guilty Simpson & Small Professor

Highway Robbery (teal vinyl pressing)
Coalmine, 2013/2016. New Copy (reissue)
Detroit's Guilty Simpson teams up with Philly producer Small Professor – with appearances by Boldy James, Statik Selektah, AG, Castle & Euclid – plus remixes by DJ Revolution & Zilla Rocca. Production wise, it's got a lot a dense beats and off-kilter, though walloping percussion ... LP, Vinyl record album
Rawkus, 1998. New Copy
The first full-length from Mos Def and Talib Kweli together as Black Star – a benchmark moment in hip hop history, and one of the finest duo vocal hip hip records of the 90s – and one of the best ever on Rawkus! In hindsight, it's all the more rewarding given Talib Kweli's longevity in ... LP, Vinyl record album
 



⇑ Top